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The Colour Journal is not simply another publication about the meaning of colour. Colours have not been approached in a literal way but as a starting point, a pretext to tell bigger stories, a means of revealing the story within the story: we all know Henri Matisse's Blue Nudes, but who can say the same about Biskra, the forgotten Algerian oasis that inspired him? We may also know about the ultramarine pigment that Yves Klein patented, but who has heard of Edouard Adam, a merchant in Montparnasse who discovered its formula? The Colour Journal intends to fight against the dictatorship of immediacy, to give depth to the pretty images of fashion magazines and Instagram feeds, to delve into familiar moments of art history and discover what lies beneath, to dig into museum libraries and reveal unseen treasures.

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