{"title":"USA Photobooks 2000 - 2005","description":null,"products":[{"product_id":"latoya-ruby-frazier-the-notion-of-family-pb","title":"LaToya Ruby Frazier: The Notion of Family PB","description":"\u003cp\u003eNow available in a paperback edition, LaToya Ruby Frazier’s award-winning first book, \u003cem\u003eThe Notion of\u003c\/em\u003e \u003cem\u003eFamily\u003c\/em\u003e, offers an incisive exploration of the legacy of racism and economic decline in America’s small towns, as embodied by her hometown of Braddock, Pennsylvania.\u003cbr\u003eThe work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political—an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations—her Grandma Ruby, her mother, and herself—against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock’s only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With \u003cem\u003eThe Notion of Family\u003c\/em\u003e, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family, and her mother in particular. In the creation of these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives—both those of her family and of the community at large.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e• Paperback; English; 156 pages\u003c\/p\u003e\r\n\u003cp\u003e• Publisher: Aperture  \/  Pub Date: October 2016\u003c\/p\u003e\r\n\u003cp\u003e• Dimensions: 9.5 x 10.75 x 0.6 inches (W x L x D)\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555405959225,"sku":"210000000195","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/lrf-the-notion-of-family-pb.jpg?v=1790278347"},{"product_id":"stanley-wolukau-wanambwa-one-wall-a-web","title":"Stanley Wolukau-Wanambwa: One Wall a Web","description":"\u003cp\u003e'One Wall a Web' gathers together work from two photographic series, 'Our Present Invention' and 'All My Gone Life', as well as two text collages all made in, and focused on the United States. Through a mixture of writing, portraiture, landscape, and appropriated archival images, the book describes quotidian encounters with fraught desire, uneven freedom, irrational fear, and deep structural division, asking whether the historical and contemporary realities of anti-Black and gendered violence – when treated as aberrations – do not in fact serve to veil violence’s essential function in the maintenance of \"civil\" society. The book traces a chronological path through the two series, concluding with an extensive essay that explores resonances between questions of black life and the strange ontology of the photographic image.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e• Hardcover; English; 248 pages\u003c\/p\u003e\r\n\u003cp\u003e• Publisher: Roma Publications  \/  Pub Date: October 2018\u003c\/p\u003e\r\n\u003cp\u003e• Dimensions: 6.7 x 9.8 inches (W x L)\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":50555476869177,"sku":"210000000987","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/sww-one-wall-a-web.jpg?v=1790278720"},{"product_id":"rania-matar-she","title":"Rania Matar: She","description":"\u003cp\u003e\u003cstrong\u003ePortraits of American and Middle Eastern young women entering adulthood from Rania Matar, author of \u003cem\u003eL'Enfant-Femme\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eAs a Lebanese-born American artist and mother, Rania Matar’s (born 1964) cross-cultural experiences inform her art. She has dedicated her work to exploring issues of personal and collective identity through photographs of female adolescence and womanhood—both in the United States where she lives, and in the Middle East where she is from.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eRania Matar: She\u003c\/em\u003e focuses on young women in their late teens and early twenties, who are leaving the cocoon of home, entering adulthood and facing a new reality. Depicting women in the United States and the Middle East, this project highlights how female subjectivity develops in parallel forms across cultural lines. Each young woman becomes an active participant in the image-making process, presiding over the environment and making it her own. Matar portrays the raw beauty of her subjects—their age, individuality, physicality and mystery—and photographs them the way she, a woman and a mother, sees them: beautiful, alive.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e• Hardcover; English; 144 pages\u003c\/p\u003e\r\n\u003cp\u003e• Publisher: Radius Books  \/  Pub Date: June 1, 2021\u003c\/p\u003e\r\n\u003cp\u003e• Dimensions: 11 x 14 inches (W x L)\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555482701881,"sku":"210000001030","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/rm-she.jpg?v=1790278755"},{"product_id":"philip-montgomery-american-mirror","title":"Philip Montgomery: American Mirror","description":"\u003cp\u003e\u003ci\u003eAmerican Mirror\u003c\/i\u003e is award-winning photographer Philip Montgomery’s dramatic chronicle of the United States at a time of profound change. Through his intimate and powerful reporting and a signature black-and-white style, Montgomery reveals the fault lines in American society, from police violence and the opioid addiction crisis to the COVID-19 pandemic and the demonstrations in support of Black lives. Yet in his unflinching images, we also see moments of grace and sacrifice, glimmers of solidarity and tireless advocates for democracy. Like Dorothea Lange and Walker Evans before him, Montgomery has made an unforgettable testament of a nation at a crossroads.\u003c\/p\u003e\r\n\u003cp\u003eFormat: Hardback\u003cbr\u003eNumber of pages: 160\u003cbr\u003eNumber of images: 71\u003cbr\u003eMeasurements: 9.6 x 12.5 x 0.89 inches\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555493056569,"sku":"210000001176","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/americanmirrorcover.jpg?v=1790278815"},{"product_id":"alec-soth-sleeping-by-the-mississippi","title":"Alec Soth: Sleeping by the Mississippi","description":"\u003cp\u003e\u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e\u003cem\u003e \u003c\/em\u003eby Alec Soth is one of the defining publications in the photobook era. First published by Steidl in 2004, it was Soth’s first book, sold through three print runs, and established him as one of the leading lights of contemporary photographic practice. This is the second printing of the MACK edition and includes two new photographs that were not included in the Steidl versions of the book.\u003c\/p\u003e\r\n\u003cp\u003eEvolving from a series of road trips along the Mississippi River, \u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e captures America’s iconic yet oft-neglected ‘third coast’. Soth’s richly descriptive, large-format colour photographs present an eclectic mix of individuals, landscapes, and interiors. Sensuous in detail and raw in subject, \u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e elicits a consistent mood of loneliness, longing, and reverie. ‘In the book’s 46 ruthlessly edited pictures’, writes Anne Wilkes Tucker in the original essay published in the book, ‘Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex.’\u003c\/p\u003e\r\n\u003cp\u003eLike Robert Frank’s classic \u003cem\u003eThe Americans\u003c\/em\u003e, \u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e merges a documentary style with poetic sensibility. The Mississippi is less the subject of the book than its organizing structure. Not bound by a rigid concept or ideology, the series is created out of a quintessentially American spirit of wanderlust. Sixteen years since the book was first published, the artist’s lyrical view has undoubtedly acquired a nuanced significance – one in which hope, fear, desire and regret coalesce in the evocative journey along this mythic river.\u003c\/p\u003e\r\n\u003cp\u003ePublished by MACK\u003cbr\u003e2020\u003cbr\u003eUK\u003cbr\u003eHardcover\u003cbr\u003e28 x 27.5 cm\u003cbr\u003e120 pages\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":50555493974073,"sku":"210000001201","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/cover34-f1d67932-948d-44a2-a05e-b389538ef0d2jpg.webp?v=1790278819"},{"product_id":"amani-willett-a-parallel-road-second-edition-hardcover","title":"Amani Willett: A Parallel Road (Second Edition Hardcover)","description":"\u003cp\u003eThis multi-layered work explores the Black experience of driving in America over the past 85 years. By picturing how it has too often been marked by fear, violence and death, \u003cem\u003eA Parallel Road\u003c\/em\u003e challenges representations of the American ideal of the road trip that have long dominated our view through artistic and literary media. Referencing the historical \u003cem\u003eNegro Motorist Green Book\u003c\/em\u003e, and layering archival and new images, it examines the question of how long the road will continue to be a site of violence and oppression for Black people in American society.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eA romantic concept of ‘The Road’ has been embraced in American popular culture since the mid-20th century.\u003c\/strong\u003e Writers, artists and photographers, many inspired by revelations surrounding the Beat Generation’s legendary road trips, have long portrayed the idea of the road as a metaphorical symbol of freedom, independence and self-discovery.\u003c\/p\u003e\r\n\u003cp\u003eStrikingly absent from this cumulative portrait is the Black American experience of the road which is often associated with fear, violence and death rather than freedom. This stark contrast is in conflict with the promise of familial fun times that the road trip afforded to white Americans.\u003c\/p\u003e\r\n\u003cp\u003eIn 1936, in response to the grave dangers faced by African American travelers, New York postman Victor Green created the \u003cem\u003eNegro Motorist Green Book\u003c\/em\u003e, a practical and necessary survival guide listing safe places where Black people could eat, sleep and find services along their journey without a dreadful fear for losing their lives. The guidebook was published annually for thirty years.\u003c\/p\u003e\r\n\u003cp\u003eMixing recent portraits and landscapes, digital screenshots and archival material—including pictures from Willett’s own family archive—\u003cem\u003eA Parallel Road\u003c\/em\u003e pays homage to Victor Green’s book, 84 years after it was first published, and sheds light on an experience of the road that has long been overlooked. It is produced in the same size as the original Green Book.\u003c\/p\u003e\r\n\u003cp\u003eThis nuanced and multi-layered work explores themes of history, racism, violence and Black identity in the United States, reflecting on the nation’s past and present while encouraging inclusivity and dialogue surrounding a complex and integral American story. While 54 years have passed since Green’s book ceased publication, it remains profoundly relevant in a time when the mere act of being on the road still threatens to be lethal for Black Americans.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eAbout the Author\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eBased in Boston, \u003cstrong\u003eAmani Willett\u003c\/strong\u003e‘s photography is driven by conceptual ideas surrounding family, history, memory, and the social environment. 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Amani completed an MFA in Photography, Video and Related Media from the School of Visual Arts, NY in 2012.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003csmall\u003eSECOND EDITION HARDCOVER\u003c\/small\u003e\u003c\/strong\u003e\u003csmall\u003e\u003cbr\u003e12.5 x 17 cm portrait (Approx 5x7in), 120 pages\u003cbr\u003eSection-sewn binding with printed paper hardcover and cloth-covered spine (foiled)\u003cbr\u003e92 photographs, archival images and digital screenshots\u003cbr\u003e(Second edition includes 7 new images and 8 further pages)\u003cbr\u003ePublished December 2021 | ISBN: 9781999446871\u003c\/small\u003e\u003c\/p\u003e","brand":"Overlapse","offers":[{"title":"Default Title","offer_id":50555494989881,"sku":"210000001211","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/parallel.png?v=1790278825"},{"product_id":"pacifico-silano-i-wish-i-never-saw-the-sunshine","title":"Pacifico Silano: I Wish I Never Saw The Sunshine","description":"\u003cp class=\"p1\"\u003eAmerican conceptual artist Pacifico Silano’s practice is rooted in excavating the printed ephemera of gay culture to create new images that comment on loss, longing and queer melancholy. In particular, Silano uses the gestures of framing, cropping and layering vintage gay erotica to comment on the HIV\/AIDS crisis and its reverberations on queer lives, which included the loss of the artist's uncle at the height of the epidemic.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cem\u003eI Wish I Never Saw the Sunshine\u003c\/em\u003e is Silano’s first artist’s book, and engages with an ambitious accordion-folded format that references Silano’s photo-based installations: two twenty-panel long sequences that can be read as both one continuous collage and a sequence of individual images. Included in the book is an interview with the artist by José Diaz, Chief Curator of The Andy Warhol Museum.\u003c\/p\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":50555495841849,"sku":"210000001220","price":76.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/158519-a.jpg?v=1790278830"},{"product_id":"jess-dugan-look-at-me-like-you-love-me","title":"Jess Dugan: Look at me like you love me","description":"\u003cp\u003eIn \u003cem\u003eLook at me like you love me\u003c\/em\u003e, Jess T. Dugan reflects on desire, intimacy, companionship, and the ways our identities are shaped by these experiences. In this highly personal collection of work, Dugan brings together self-portraits, portraits of individuals and couples, and still lifes, interwoven with diaristic writings reflecting on relationships, solitude, family, loss, healing, and the transformations that define a life. Dugan has long used photography to understand their own identity and to connect with others on a deeper level. Their process of working slowly and collaboratively discloses moments of heightened psychological intensity in images that transcend the specifics of a particular person or place, engaging with what it means to know oneself alongside and through others. Using medium-format cameras and natural lighting, Dugan employs traditional photographic practices to depict these contemporary subjects, resulting in images that both evoke and reimagine the conventional dynamics of art-historical portraiture. Brought together here, these photographs function as an extended, oblique self-portrait as much as a catalogue of friends and loved ones. Through a diffuse but studied sequence of image and text, \u003cem\u003eLook at me like you love me\u003c\/em\u003e brings our attention to one of the most powerful and complex forms of intimacy – that of seeing and being seen.\u003c\/p\u003e\r\n\u003cp\u003eEmbossed printed linen hardcover\u003cbr\u003e23.5 x 29.5 cm, 108 pages, 60 color photographs\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":50555497480249,"sku":"210000001234","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/lam-cover-shadow-web.jpg?v=1790278839"},{"product_id":"justine-kurland-scumb-manifesto-signed","title":"Justine Kurland: SCUMB Manifesto (SIGNED)","description":"\u003cp class=\"p1\"\u003e‘\u003cb\u003eA quantum leap in Kurland’s practice … It might just be as sharp and clear-sighted a skewering of the male canon ... as you’ll ever witness.\u003c\/b\u003e’ \u003cem\u003eAnOther\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cstrong\u003eSkillful, versatile, and refreshingly analog … The past can’t just vanish with a finger snap, but rather must be dealt with in a complex case-by-case way – preferably a gleeful one, and maybe involving a razor.\u003c\/strong\u003e’ Artforum\u003cbr\u003e\u003cbr\u003e‘\u003cstrong\u003eIn wild and allusive accretions, these fragments of past artistic mastery become, when arrayed on the flayed boards of their previous containers, something like an archeological dig … an animated, anarchic ... new world is brutally begotten.\u003c\/strong\u003e’ Brooklyn Rail\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cp class=\"p1\"\u003eInspired by Valerie Solanas’ iconoclastic feminist tract \u003cem\u003eSCUM\u003c\/em\u003e (Society for Cutting Up Men) \u003cem\u003eManifesto\u003c\/em\u003e, \u003cem\u003eSCUMB Manifesto\u003c\/em\u003e introduces us to photographer Justine Kurland’s own uncompromising initiative: the Society for Cutting Up Men’s Books. This volume presents a collection of collages Kurland created by cutting up and reconfiguring photobooks by male artists, as she went through the process of purging her own library of roughly 150 books by straight white men that have monopolized the photographic canon. The nature of collage — heterogeneous, pulled apart, shape shifting, disrupted, cyborg, fantasy — has long made it a feminist strategy in life and in art. Kurland's ritual is restorative and loving: each work is a reclamation of history; a dismemberment of the patriarchy; a gender inversion of the usual terms of possession; and a modest attempt at offsetting a life of income disparity. While markedly different in style, the defiant female visions pictured in these compositions are a continuation of those depicted in Kurland’s earlier photographic projects \u003cem\u003eGirl Pictures\u003c\/em\u003e (1997–2002) and \u003cem\u003eMama Babies\u003c\/em\u003e (2004–07). Each work in \u003cem\u003eSCUMB\u003c\/em\u003e sounds an electrifying call for freedom — the freedom to create, to destroy, to imagine, and to reshape our visual and social world.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003eIncludes essays by Marina Chao, Renee Gladman, Catherine Lord, and Ariana Reines.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003ePublished by MACK\u003cbr\u003e2022\u003cbr\u003eUK\u003cbr\u003ePaperback\u003cbr\u003e24.5 x 32cm\u003cbr\u003e282 pages\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":50555498135609,"sku":"210000001242","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61l51nrhval.jpg?v=1790278844"},{"product_id":"nona-faustine-white-shoes","title":"Nona Faustine: White Shoes","description":"\u003cp\u003eWhite Shoes is a collection of self-portraits taken in locations around New York that were central to the city’s once pivotal – and now largely obscured and unacknowledged – involvement in the slave trade. Nona Faustine depicts herself at the sites of slave auctions, burial grounds, slave-owning farms, and the coastal locations where slave ships docked, posing nude apart from a pair of white high-heeled shoes. Documenting herself in places where history becomes tangible, Faustine acts as a conduit or receptor, in solidarity with people whose names and memories have been lost but are embedded in the land. Through quiet but defiant self-representation, Faustine responds to a history of depiction of Black people that is shaped by subjugation, phrenology, and pseudo-science. Her complex large-format images refer and respond to a range of sources including daguerrotypes of slaves and photographs commissioned by naturalists, while her nudity ― expressive of fearless self-possession as well as vulnerability – subverts the legacy of Black and female nudes in Western art. Running throughout the images, the talismanic white shoes that give the series its name suggest the many adaptations to dominant White culture that were and are still demanded of people of colour. At once historical and speculative, White Shoes confronts the relationship between the visible and invisible, between what is displayed and what is kept from view. Includes newly commissioned texts by Pamela Sneed, Jessica Lanay, Jonathan Michael Square and Seph Rodney, together with an interview of the artist by Jessica Lanay.\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":50555498463289,"sku":"210000001245","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61txz2ae6xl.jpg?v=1790278846"},{"product_id":"zora-murff-true-colors-or-affirmations-in-a-crisis","title":"Zora Murff: True Colors (or, Affirmations in a Crisis)","description":"\u003cdiv class=\"aperture-accordion-button\"\u003e\n\u003cspan class=\"aperture-accordion-button-label\"\u003e\u003cspan class=\"aperture-accordion-button-label\"\u003e\u003cb\u003e\u003ci\u003eTrue Colors (or, Affirmations in a Crisis)\u003c\/i\u003e is a chronicle of survival by trailblazing artist Zora J Murff. \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\r\n\u003cp\u003eMurff constructs a manual for coming to terms with the historical and contemporary realities of America’s divisive structures of privilege and caste. Since leaving social work to pursue photography over a decade ago, Murff’s work has consistently grappled with the complicit entanglement of the medium in the histories of spectacle, commodification, and race, often contextualizing his own photographs with found and appropriated images and commissioned texts. \u003ci\u003eTrue Colors\u003c\/i\u003econtinues that work, expanding to address the act of remembering and the politics of self, which Murff identifies as “the duality of Black patriotism and the challenges of finding belonging in places not made for me—of creating an affirmation in a moment of crisis as I learn to remake myself in my own image.” Nuanced, challenging, and inspiring, \u003ci\u003eTrue Colors (or, Affirmations in a Crisis)\u003c\/i\u003e is a must-have monograph by a rising and standout artist. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eTrue Colors\u003c\/i\u003e is the result of the inaugural Next Step Award, a partnership between Aperture and Baxter St at the Camera Club of New York, with the generous support of 7G Foundation.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"aperture-accordion-button\"\u003e \u003c\/div\u003e\r\n\u003cdiv class=\"aperture-accordion-button\"\u003e \u003c\/div\u003e\r\n\u003cdiv class=\"aperture-accordion-button\"\u003e\u003cspan class=\"aperture-accordion-button-label\"\u003eDetails\u003c\/span\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"aperture-accordion-content fl-clearfix\"\u003e\r\n\u003cp\u003eFormat: Paperback \/ softback\u003cbr\u003eNumber of pages: 96\u003cbr\u003eNumber of images: 77\u003cbr\u003ePublication date: 2020-04-07\u003cbr\u003eMeasurements: 8 x 10 x 0.3 inches\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555506589753,"sku":"210000001566","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/711pk4rbrpl.jpg?v=1790278891"},{"product_id":"d-angelo-lovell-williams-contact-high","title":"D'Angelo Lovell Williams: Contact High","description":"\u003cdiv\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cp class=\"p1\"\u003eBoth an artist’s book and comprehensive inquisition of D’Angelo Lovell Williams’s work to date, \u003cem\u003eContact High\u003c\/em\u003e offers an expansive engagement with the visualisation of desire and depiction of the Black body. Williams’s narrative images reflect the many forms in which Black queer people exist and have existed historically within each other’s lives, picturing them as sitters, lovers, caregivers, or shadows. Williams’s work is guided by their life experience and an interrogation of their own perspective, as well as wider questions around the representation of race, class, sexuality, gender, and intimacy. The title \u003cem\u003eContact High\u003c\/em\u003e references the importance of touch and gesture in Williams‘s work, and alludes to heightened senses and intuitive movement.\u003cbr\u003e\u003cbr\u003eFrom self-portraits to collaborations with community, Williams’s photographs visualise the Black body in performative scenes that are theatrical, dance-like, and occasionally mundane, pointing towards collective histories and Black ancestral practices. At the heart of these intimate, dialogic images are notions of kinship and spirituality interweaved with quietly political and radical gestures. Williams’s unfaltering gaze insists on visibility and deference, and creates scenes in which Black and queer voices are the authority. The dynamics that play out between families, cultures, friends, lovers, ancestors and descendants are visualised as a spectrum of care, tenderness, and vulnerability, speaking to the nuances of our complex lives often overlooked by historical depictions.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp class=\"p1\"\u003eEmbossed hardcover with tipped-in image\u003cbr\u003e23 x 27.8 cm, 104 pages\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":50555525529657,"sku":"210000001729","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/contacthigh-angled-860x.jpg?v=1790278969"},{"product_id":"baldwin-lee","title":"Baldwin Lee","description":"\u003cp\u003eBaldwin Lee\u003cbr\u003eInterview by Jessica Bell Brown\u003cbr\u003eEssay by Casey Gerald\u003cbr\u003eEdited by Barney Kulok\u003c\/p\u003e\r\n\u003cp\u003eIn 1983, Baldwin Lee (b. 1951) left his home in Knoxville, Tennessee, with his 4 × 5 view camera and set out on the first of a series of road trips to photograph the American South. 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Author Rebecca Bengal contributes an evocative short story that underscores the sense of anxiety and foreboding that Potter infuses into each of her images; a deliciously compelling, if chilling, combination.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eCopublished by Aperture with Images Vevey and The Momentary\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555592704057,"sku":"210000002353","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/81zdzlseohl.jpg?v=1790279328"},{"product_id":"carla-williams-tender","title":"Carla Williams: Tender","description":"\u003cp\u003eTBW Books is pleased to present \u003cem\u003eTender, \u003c\/em\u003ethe first monograph by artist Carla Williams. 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Bereal’s work was inspired by his first photo exhibition at the George Washington Carver Museum in Austin, entitled \u003cem\u003e1.7\u003c\/em\u003e, that unearthed the experiences of the 925 Black men that made up just 1.7% of UT’s total 52,000 student body.\u003cbr\u003e\u003cbr\u003eNow Bereal expands the scope of his original project and visits colleges nationwide, from Historically Black Colleges and Universities (HBCUs) to predominantly white institutions to trade schools and more. Rather than dwelling on the monolith of trauma often associated with Black narratives, Bereal is dedicated to using honest dialogue to share stories of true joy and triumph amidst the hardships, prejudices, and internal struggles. 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Collecting together nearly a decade of work, Hardtack continues Fortune’s weaving of documentary and personal history, marking a sincere expression of love and passion to a region that has nourished the artist personally and creatively, while also marking an important contribution to photographing the American South.\u003c\/p\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":50555649196089,"sku":"210000002930","price":67.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/annotation-2024-03-29-131623.jpg?v=1790279647"},{"product_id":"an-my-le-small-wars","title":"An-My Lê: Small Wars","description":"\u003cp\u003eFor the past three decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling. \u003c\/p\u003e\r\n\u003cp\u003eFirst published in 2005, \u003ci\u003eSmall Wars\u003c\/i\u003e brings together three interconnected series. 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Each image feels like a short story, rich with detail and ambiguity—offering a layered portrait of a place shaped equally by natural grandeur and the slow erosion of economic promise.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eThe book’s title references the remote stretch of California’s northern coast, but also gestures to a deeper sense of disappearance—of lives lived in the margins, of dreams cast aside, of overlooked beauty. \u003c\/p\u003e\r\n\u003cp\u003eLost Coast marked the beginning of Hatleberg’s acclaimed photographic practice exploring contemporary American life. 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Although Black Americans have greatly influenced the popular culture landscape in this region, their stories, trials, and triumphs are often undocumented because Appalachia is perceived as wholly white.\u003cbr\u003e\u003cbr\u003eIn this stunning visual history, photographer and curator Chris Aluka Berry gives voice to the broad spectrum of African Americans who have lived in the Appalachian region over the centuries. Berry, who spent six years in western North Carolina, northeast Georgia, and eastern Tennessee, immersed himself in the communities and lives of Black Appalachians to present the diversity and commonalities of the proud people in the region. 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Today’s fragile and disturbing climate of intolerance makes it all the more urgent that this period of our history not be forgotten.\u003c\/p\u003e","brand":"Radius Books","offers":[{"title":"Default Title","offer_id":50555805466681,"sku":"210000004399","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/IMG_1361.webp?v=1790811077"},{"product_id":"betty-yu-family-amnesia","title":"Betty Yu: Family Amnesia","description":"\u003cp style=\"font-weight: 400;\"\u003e\u003ci\u003e\u003cem\u003eFamily Amnesia\u003c\/em\u003e\u003c\/i\u003e is a visual tribute and love letter honoring the artist's Chinese American family roots in the U.S. The art book explores her family's multi-generational resilience and resistance through mixed media collages, her grandfather’s photographs, her own captured images and archival material.\u003c\/p\u003e\r\n\u003cp style=\"font-weight: 400;\"\u003eThe book project honors the past and current lives of Asian Americans and immigrants in the U.S. by examining the incalculable and traumatic impact that historical events like the 1882 Chinese Exclusion Act continue to have on the Asian American experience. This is a painful part of our American history. Betty Yu is reclaiming that narrative through her own personal family’s story. The book will feature her grandfather’s role as a founding member of the Chinese Hand Laundry Alliance of NY, her mother’s plight as a garment worker who became a labor organizer, as well as her sister’s legacy as a community activist. Yu knows that her family's story is not unique. It is part of the larger collective Asian-American immigration experience.\u003c\/p\u003e\r\n\u003cp style=\"font-weight: 400;\"\u003eThis book project reminds us that the rise of COVID-related anti-Asian violence is part of a larger history of systemic racism. As the U.S. government and corporate-run media continue to vilify China as a global threat, Family Amnesia recalls the anti-China and anti-Asian paranoia and hysteria that created the policies like the 1882 Chinese Exclusion Act and the 1942 Executive Order that placed Japanese-Americans into internment camps. 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Betty’s films and multimedia work has focused on labor, immigration, gentrification, abolition, racism, militarism, transgender equality among other issues.\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555806875705,"sku":"210000004419","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/9781954119444-fc.webp?v=1790280533"},{"product_id":"tiona-nekkia-mcclodden-se-te-subio-el-santo-are-you-in-a-trance","title":"Tiona Nekkia McClodden: Se Te Subió El Santo (Are You In A Trance?)","description":"\u003cdiv class=\"richtext\"\u003e\r\n\u003cdiv\u003e\r\n\u003cp\u003eSe Te Subió El Santo is a collection of self – portraits taken by the artist directly after she awoke every morning while away on a week-long residency in Iowa City, IA at the Center for Afrofuturist Studies in Spring 2016. 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