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An essay by critic and curator Stephan Schmidt-Wulffen and a conversation with Shore by writer Lynne Tillman examine his methodology and elucidate his roots in Pop and Conceptual art. 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At the core of his practice, is his ability to parse and critically dissect the flow of images that comprises American culture, and to do so with particular attention to race, gender, and cultural identity. Other powerful themes include the commodification of identity through popular media, sports, and advertising. In the ten years since his first publication, \u003cem\u003ePitch Blackness\u003c\/em\u003e, Thomas has established himself as a significant voice in contemporary art, equally at home with collaborative, trans-media projects such as Question Bridge, Philly Block, and For Freedoms as he is with high-profile, international solo exhibitions. This extensive presentation of his work contextualizes the material with incisive essays from Portland Art Museum curators Julia Dolan and Sara Krajewski and art historian Sarah Elizabeth Lewis, and an in-depth interview between Dr. Kellie Jones and the artist that elaborates on Thomas’s influences and inspirations.\u003c\/p\u003e\r\n\u003cp\u003eHank Willis Thomas is a co-founder of For Freedoms, the artist-led collective behind the International Center of Photography's 2019 exhibition \u003ca href=\"For%20FreedomsWhere%20Do%20We%20Go%20From%20Here?\"\u003e\u003cem\u003eFor Freedoms: Where Do We Go From Here?\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHardcover; English; 256 pages\u003c\/li\u003e\r\n\u003cli\u003ePublication Date: November 2018\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 10 x 11.8 x 1.2 inches (W x L x D)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555404091449,"sku":"210000000167","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/hwt-all-things-being-equal.jpg?v=1790278339"},{"product_id":"susan-meiselas-on-the-frontline","title":"Susan Meiselas: On the Frontline","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eIn \u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eOn the Frontline\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e, one of the most influential photographers of our time, Susan Meiselas, provides an insightful personal commentary on the trajectory of her career―on her ideas and processes, and her decisions as a photographer.\u003c\/span\u003e Applying a sociological training to the practice of witness journalism, she compares her process to that of an archaeologist, piecing together shards of evidence to build a three-dimensional cultural understanding of her subjects.\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555404222521,"sku":"210000000169","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/on-the-frontline-hc-meiselas.jpg?v=1790278339"},{"product_id":"justine-kurland-highway-kind","title":"Justine Kurland: Highway Kind","description":"\u003cp\u003eFollowing in the photographic lineage of Robert Frank, Stephen Shore, and Joel Sternfeld, Justine Kurland’s work examines the story of America—and the idea of the American dream juxtaposed against the reality. Her deep interest in the road, the western frontier, escape, and ways of living outside mainstream values pervade this stunning and important body of work. Since 2004, Kurland and her young son, Casper, have traveled in their customized van, going south in the winter and north in the summer, her life as an artist and mother finely balanced between the need for routine and the desire for freedom and surprise. Casper’s interest —particularly in trains, and later in cars—and those he befriends along the way often determine Kurland’s subject matter. He appears at different ages in the work, against open vistas and among the subcultures of train-hoppers and drifters around them. Kurland’s vision is in equal parts raw and romantic, idyllic and dystopian. 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Now, as the fortieth anniversary approaches, Aperture is pleased to reissue the book with an augmented reality (AR) function, bringing a selection of images to life via clips from Meiselas’s films \u003ci\u003ePictures from a Revolution\u003c\/i\u003e (1991), in which she returns to the scenes she originally photographed, tracking down subjects and interviewing them, and \u003ci\u003eReframing History\u003c\/i\u003e (2004), a documentation of her return in 2004 with nineteen mural-sized images of her photographs from 1979, to collaborate with local communities to create sites for collective memory. A conversation with Kristen Lubben addresses the history of Meiselas’s work in Nicaragua, how it has been circulated, revisited, repatriated, and reconsidered—how and why it endures. 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One of the founders of the photography agency Magnum (together with Robert Capa and others), he is best known for the skill with which he captured the most fleeting of scenes. This volume includes his photographs of France, Spain, America, India, Russia, Mexico, and pre-revolutionary China.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAbout the series\u003c\/strong\u003e: The classic Photofile series brings together the best work of the world's greatest photographers in an attractive format and at a reasonable price. Handsome and collectible, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. 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He also captured prominent figures of his era, such as Malcolm X and Marilyn Monroe, in a series of memorable portraits. Working in the US and around the world, he was driven by a commitment to social justice: \"The common search for a better world is deeper than color or blood.\" \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePaperback; English; 144 pages\/92 images in color and duotone\u003c\/li\u003e\r\n\u003cli\u003ePublication Date: May 2014\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 5 x 7.5 x 0.5 inches (W x L x D)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"W.W. 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