{"title":"I'm so happy you are here","description":null,"products":[{"product_id":"rinko-kawauchi-illuminance","title":"Rinko Kawauchi: Illuminance","description":"\u003cp\u003e\u003cb\u003eTen years after publishing \u003ci\u003eIlluminance\u003c\/i\u003e in 2011, Aperture is delighted to bring this beloved book back into print, retaining Rinko Kawauchi’s original sequence and signature melding of keenly observed gestures, quotidian detail, and a finely honed palette.\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eOn the book’s original release, Alec Soth declared \u003ci\u003eIlluminance\u003c\/i\u003e “an exquisitely produced monograph [that] should make Rinko a household name.” An expanded edition with additional texts by curator David Chandler; philosopher Masatake Shinohara; and Aperture’s creative director, Lesley A. Martin, this reissue contributes new context to and perspective on Kawauchi’s influential work. Extraordinarily poetic, brimming with imagination and sensibility, and following international acclaim, this exquisite ten-year anniversary edition will entice lovers of photography once again.\u003c\/p\u003e","brand":"Ingram Content Group - Mixed Vendors","offers":[{"title":"Default Title","offer_id":50555493482553,"sku":"210000001179","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61bucvc4xs.jpg?v=1790278817"},{"product_id":"what-they-saw-historical-photobooks-by-women","title":"What They Saw: Historical Photobooks By Women","description":"\u003cp\u003eWhat They Saw: Historical Photobooks by Women, 1843 – 1999, 10×10’s most recent “book-on-photobooks” anthology in its ongoing examination of photobook history, explores photobooks created by women from photography’s beginnings to the dawn of the 21st century. Presenting a diverse geographic and ethnic selection, the anthology interprets historical photobooks by women in the broadest sense possible: classic bound books, portfolios, personal albums, unpublished books, zines and scrapbooks. Some of the books documented are well-known publications such as Anna Atkins’ Photographs of British Algae: Cyanotype Impressions (1843-1853), Germaine Krull’s Métal (1928) and Diane Arbus: An Aperture Monograph (1972), while other books may be relatively unknown, such as Alice Seeley Harris’ The Camera and the Congo Crime (c. 1906), Varvara Stepanova’s Groznyi smekh. Okna Rosta (1932), Eslanda Cardozo Goode Robeson’s African Journey (1945), Fina Gómez Revenga’s Fotografías de Fina Gómez Revenga (1954), Eiko Yamazawa’s Far and Near (1962) and Gretta Alegre Sarfaty’s Auto-photos: Série transformações—1976: Diário de Uma Mulher—1977 (1978). Also addressed in the publication are the glaring gaps and omissions in current photobook history—in particular, the lack of access, support and funding for photobooks by non-Western women and women of color.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003ePublished by 10×10 Photobooks\u003cbr data-start=\"933\" data-end=\"936\"\u003e2021\u003cbr data-start=\"940\" data-end=\"943\"\u003eUSA\u003cbr data-start=\"946\" data-end=\"949\"\u003eEdition of 3000\u003cbr data-start=\"965\" data-end=\"968\"\u003eHardcover\u003cbr data-start=\"977\" data-end=\"980\"\u003e23 × 28 × 3 cm\u003cbr data-start=\"994\" data-end=\"997\"\u003e520 pages\u003c\/p\u003e","brand":"10x10 Photobooks, Inc.","offers":[{"title":"Default Title","offer_id":50555500855353,"sku":"210000001333","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71-5s6kop2l.jpg?v=1790278860"},{"product_id":"im-so-happy-you-are-here-japanese-women-photographers-from-the-1950s-to-now","title":"I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now","description":"\u003cp\u003e\u003ci\u003eI’m So Happy You Are Here\u003c\/i\u003e presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography—and an indispensable resource for anyone interested in a more robust history of Japanese photography.\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555671117881,"sku":"210000003149","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/9781597115537.jpg?v=1790279787"},{"product_id":"great-women-photographers","title":"Great Women Photographers","description":"\u003cp\u003e\u003cstrong\u003eA showcase of more than 250 women photographers who have captured some of the most remarkable images to date, celebrating their extraordinary vision and indelible impact on visual storytelling\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBoth an essential historical record and an inspiring showcase of artistic achievement, this timely survey documents the groundbreaking contributions women have made to the field of photography since its inception.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eGreat\u003cspan\u003e \u003c\/span\u003e\u003cs\u003eWomen\u003c\/s\u003e\u003cspan\u003e \u003c\/span\u003ePhotographers\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003espans nearly 200 years of image-making, showcasing the work of more than 250 pioneering photographers around the world.  From Anna Atkins, who in 1843 created the first photobook, to Felicia Ewurasi Abban, the first professional woman photographer in 1950s Ghana, these extraordinary artists not only mastered technical innovations, but also used photography as a powerful tool for social commentary, personal expression, and cultural documentation.\u003c\/p\u003e\n\u003cp\u003eOrganized alphabetically, the book presents each featured photographer with a beautifully reproduced image and short, authoritative text. Readers will find outstanding examples of documentary photography, portraiture, fashion, conceptual art, and photocollage made by both iconic photographers and lesser-known names deserving of broader recognition.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFeatured artists include:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003eBerenice Abbott, Laura Aguilar, Lola Álvarez Bravo, Diane Arbus, Anna Atkins, Letizia Battaglia, Zaida Ben Yusuf, Myriam Boulos, Anne W. 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Her work is at once deeply personal and evocative of the wider world hinted at by the traces recorded within the frame.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSince beginning her career in the 1970s, Ishiuchi has become one of Japan’s foremost photographers, leading the way for female practitioners in a scene that has traditionally been male dominated.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIshiuchi Miyako: Traces\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003echarts the course of her practice over fifty years and identifies themes that resurface throughout her work, including her relationship with place, the passage of time, and the bodies and possessions of people, always with an emphasis on materiality and ephemerality.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThree thematic sections—\u003ci\u003eTown\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSkin \u0026amp; Scars\u003c\/i\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThings Left Behind\u003c\/i\u003e—include series such as\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eYokosuka Story\u003c\/i\u003e, which documents her hometown;\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e1 · 9 · 4 · 7\u003c\/i\u003e, in which she photographed the hands and feet of fifty women born in the same year as her; and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFrida\u003c\/i\u003e, which catalogues the possessions of the artist Frida Kahlo. The major photographic series appear alongside lesser-known works and previously unpublished material. With extracts from Ishiuchi’s previous writings, an in-depth interview by Lena Fritsch, and a newly commissioned essay by Ishiuchi herself, the artist’s voice is present throughout.\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50622547918905,"sku":null,"price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/APE2026Miyako01_2400px.webp?v=1790892781"}],"url":"https:\/\/shop.icp.org\/collections\/im-so-happy-you-are-here.oembed","provider":"International Center of Photography","version":"1.0","type":"link"}