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Also addressed in the publication are the glaring gaps and omissions in current photobook history—in particular, the lack of access, support and funding for photobooks by non-Western women and women of color.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003ePublished by 10×10 Photobooks\u003cbr data-start=\"933\" data-end=\"936\"\u003e2021\u003cbr data-start=\"940\" data-end=\"943\"\u003eUSA\u003cbr data-start=\"946\" data-end=\"949\"\u003eEdition of 3000\u003cbr data-start=\"965\" data-end=\"968\"\u003eHardcover\u003cbr data-start=\"977\" data-end=\"980\"\u003e23 × 28 × 3 cm\u003cbr data-start=\"994\" data-end=\"997\"\u003e520 pages\u003c\/p\u003e","brand":"10x10 Photobooks, Inc.","offers":[{"title":"Default Title","offer_id":50555500855353,"sku":"210000001333","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71-5s6kop2l.jpg?v=1790278860"},{"product_id":"how-we-see-photobooks-by-women","title":"How We See: Photobooks By Women","description":"\u003cp\u003eA “book on books” anthology that documents How We See, a traveling public and hands-on reading room of a global range of 100 photography books by female photographers. In addition to all one hundred books in the \u003ca href=\"https:\/\/10x10photobooks.org\/how-we-see\/\"\u003e\u003cem\u003eHow We See\u003c\/em\u003e Reading Room\u003c\/a\u003e, the publication includes three essays, an annotated history, reference lists of historical books by women photographers, an author index and a visual index.\u003c\/p\u003e","brand":"10x10 Photobooks, Inc.","offers":[{"title":"Default Title","offer_id":50555501051961,"sku":"210000001334","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/51le-wfm2hl.jpg?v=1790278860"},{"product_id":"subversion-of-images","title":"Subversion of images","description":"\u003cp\u003e\u003cstrong\u003eThis classic surrealist photobook pioneered the imagery of the domestic uncanny\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eFirst edited and published by Marcel Marien in 1968 in a limited edition of 230 copies, half a year after Paul Nougé’s death, \u003ci\u003eThe Subversion of Images\u003c\/i\u003e is a miniature classic in both the photobook and surrealist canons. It collects Nougé’s notes and photographs from 1929–30 to form a guidebook to the surrealist image. Nougé here outlines his conception of the object and the surrealist approach to it, while also offering an accompaniment to the visual work of his colleague, René Magritte, whose paintings he sometimes titled. How might a tangle of string elicit terror? How might the suppression of an object move one to sentimentality? What is the effect of a pair of gloves on a loaf of sliced bread?\u003cbr\u003e\u003cbr\u003eNougé’s accompanying photographs explore these notions, and feature a number of his Belgian surrealist colleagues. This translation is presented as a facsimile of the original edition, with an afterword by Xavier Canonne, director of the Musée de la Photographie.\u003cbr\u003e\u003cbr\u003eA biochemist by trade, \u003cb\u003ePaul Nougé\u003c\/b\u003e (1895–1967) was a leading light of Belgian surrealism and its primary theorist, as well as a decisive influence on such Lettrists and Situationists as Guy Debord and Gil J. Wolman, who would take inspiration from his conception of plagiarism for what would come to be termed “détournement.” Nougé steered the Brussels surrealist group toward a more rational approach to visual and verbal language that discarded the Parisian surrealists’ proclivity for irrationality and occultism.\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555503870009,"sku":"210000001521","price":14.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/51zvntvrgel.jpg?v=1790278876"},{"product_id":"new-documents-1967","title":"New Documents, 1967","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eIn the past decade a new generation of photographers has directed the documentary approach toward more personal ends. Their aim has been not to reform life, but to know it. ―John Szarkowski\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn 1967, The Museum of Modern Art presented \u003cspan class=\"a-text-italic\"\u003eNew Documents\u003c\/span\u003e, a landmark exhibition organized by John Szarkowski that brought together a selection of works by three photographers whose individual achievements signaled the artistic potential for the medium in the 1960s and beyond: Diane Arbus, Lee Friedlander and Garry Winogrand.\u003cbr\u003e\u003cbr\u003eThough largely unknown at the time, these three photographers are now universally acknowledged as artists of singular talent within the history of photography. The exhibition articulated a profound shift in the landscape of 20th-century photography, and interest in the exhibition has only continued to expand. Yet, until now, there has been no publication that captures its content.\u003cbr\u003e\u003cbr\u003ePublished in celebration of the 50th anniversary of the exhibition, \u003cspan class=\"a-text-italic\"\u003eArbus Friedlander Winogrand\u003c\/span\u003e features full-page reproductions of the 94 photographs included in the exhibition, along with Szarkowski’s original wall text, press release, installation views and an abundance of archival material. Essays by curator Sarah Hermanson Meister and critic Max Kozloff, who originally reviewed the exhibition for \u003cspan class=\"a-text-italic\"\u003eThe Nation\u003c\/span\u003e in 1967, critically situate the exhibition and its reception, and examine its lasting influence on the field of photography.\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555504001081,"sku":"210000001522","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61kr3uugicl.jpg?v=1790278876"},{"product_id":"wolfgang-scheppe-taxonomy-of-the-barricade","title":"Wolfgang Scheppe: Taxonomy of the Barricade","description":"\u003cdiv class=\"accroche\"\u003eAn iconographic taxonomy—researched, conceived, and ideated by Wolfgang Scheppe, also author of the book's final essay—that traces the state and police visual control through almost 500 images from the May 1968 police archives in Paris.\u003c\/div\u003e\r\n\u003cdiv class=\"accroche\"\u003e \u003c\/div\u003e\r\n\u003cdiv class=\"citation\"\u003eThe pictorial order of a regime of surveillance applied during the last wide-ranging insurgence in Europe's history surfaces from the analysis of this unique visual archive. Following the events happening at the Sorbonne in May 1968, alongside general strikes and nationwide factory occupations, France's state of emergency becomes apparent through a specific iconography of visual control.\u003cbr\u003eAmong other characteristic typologies of authoritative monitoring aspects, the events in May '68 marked the historic beginning of the deployment of helicopter based aerial photography as a means of governmental crowd control in a situation of escalating insurrection. The political will to gain an unobstructed view on any individual motion pattern represented in the project leads to epistemically-new technologies that combine observation with political governance, and the use of force as recently manifested in the agency of drones and face recognition.\u003cbr\u003eIn 2019 the editorial project was awarded the FLAT Prize, for the quality of the research done and the originality of the proposal.\u003c\/div\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":50555505901625,"sku":"210000001562","price":49.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/81whqhawdkl.jpg?v=1790278889"},{"product_id":"another-country-british-documentary-photography-since-1945","title":"Another Country: British Documentary Photography Since 1945","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eFrom the Second World War to Brexit and Covid-19, a vividly written, generously illustrated history of British documentary photography by renowned writer and critic Gerry Badger.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003eAnother Country\u003c\/span\u003e offers a lively, vital rethinking of British documentary photography over the last seven decades. This collection includes a diverse range of photographers working in an exciting array of photographic and artistic modes, encompassing images from iconic reportage to photo-text pieces, from self-portraits to political photo-collages.\u003c\/p\u003e\r\n\u003cp\u003eAs Britain takes an increasingly significant place in the history of documentary photography, award-winning photography writer and critic Gerry Badger brings vital context and breadth to the conversation. Organized chronologically, each chapter spans a particular period of social and cultural history, focusing on the major photographers, figures, institutions, publications, and galleries that shaped the photographic climate of their time, as well as the broader tastes of the era. Chapter-by-chapter picture sections present famous works alongside forgotten masterpieces, interspersed with focused commentaries on selected photographs. This multilayered approach provides a rich understanding of the evolution and sheer variety of British documentary photography.\u003c\/p\u003e\r\n\u003cp\u003eA must-have for anyone interested in the history of photography, this book is a comprehensive overview of how photographers and photo- artists have depicted Britain and British society over the last seventy years.\u003c\/p\u003e","brand":"W.W. Norton \u0026 Company, Inc.","offers":[{"title":"Default Title","offer_id":50555507769401,"sku":"210000001581","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61fsdv1nafl.jpg?v=1790278898"},{"product_id":"peter-fetterman-power-of-photography","title":"Peter Fetterman: Power of Photography","description":"\u003cp\u003e120 incredible, moving photographs that reveal the power of photographyCurated by leading gallerist, Peter Fetterman\"When I photograph, I project what I'm not. What I would like to be.\" - Lillian BassmanThe power of photography lies in its ability to ignite emotions across barriers of language and culture. This selection of iconic images, compiled by pioneering collector and gallerist Peter Fetterman, celebrates the photograph's unique capacity for sensibility. Peter has been championing the photographic arts for over 30 years. He runs what is arguably the most important commercial photography gallery in the world. During the long months of lockdown, Peter 'exhibited' one photograph per day, accompanied by inspirational text, quotes and poetry. This digital collection struck a chord with followers from around the world. The Power of Photography presents 120 outstanding images from the series, along with Peter's insightful words. This carefully curated selection offers an inspiring overview of the medium while paying homage to masters of the art. From the bizarre Boschian fantasies of Melvin Sokolsky to the haunting humanity of Ansel Adams's family portraits; from Miho Kajioka's interpretation of traditional Japanese aesthetics of to the joyful everyday scenes of Evelyn Hofer; from rare interior shots by famed nude photographer Ruth Bernhard to Bruce Davidson's wistful depiction of young men playing ballgames on a street; this book gathers some of the most unique and heartening photographs from the 20th century. Each image is a time capsule, offering us a glimpse into days gone past. Yet each photograph also speaks of tranquillity, peace, and hope for the future.\u003c\/p\u003e","brand":"ACC Art Books - NBN","offers":[{"title":"Default Title","offer_id":50555512422457,"sku":"210000001609","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/guest-15cb73f5-3232-4263-b044-43bf564c5761.jpg?v=1790278916"},{"product_id":"whitney-biennial-2022","title":"Whitney Biennial 2022","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003ePresenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThe 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial’s participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist’s own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial’s two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve—as previous editions have—as an invaluable resource on present-day trends in contemporary art in the United States.\u003c\/p\u003e","brand":"Triliteral (Yale, Harvard, DeGruyter)","offers":[{"title":"Default Title","offer_id":50555512651833,"sku":"210000001612","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/51chlo6z4il.jpg?v=1790278917"},{"product_id":"decade","title":"DECADE","description":"\u003cp\u003e\u003cspan id=\"freeText9978699132257059083\"\u003e\u003ci\u003eDecade \u003c\/i\u003eprovides an extraordinary insight into our recent history ­– dramatic, nostalgic, intimate and educational by turns. Arranged in chronological order, 500 beautiful, engaging and often startling photographic images depict the people and events, both famous and unknown, that have shaped our history since 2000. Accompanied and contextualized by extended historical captions and 15 essays exploring the events, trends and social phenomena that have characterized the decade, these images tell the story of the last 10 remarkable years.\u003c\/span\u003e \u003c\/p\u003e","brand":"mana contemproray","offers":[{"title":"Default Title","offer_id":50555514126393,"sku":"210000001628","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/9265545.jpg?v=1790278924"},{"product_id":"lily-van-der-stokker-how-i-went-to-new-york","title":"Lily Van der Stokker: How I Went to New York","description":"\u003cp\u003eLily van der Stokker's illustrated autobiography of her life in New York in the 1980s, when she opened a gallery in the East Village. \"The story I am going to tell is a story that Jack had said several times we should make a film of. In those days I was never interested in writing down everything, but here it is: With a girlfriend I decided to travel to New York. It was meant to not be a short holiday. We thought it was the coolest place to go to. If we could survive in New York, that would be the ultimate challenge. I told more than Jack intended me to tell, but I did it the way he said it: 'Write it down, the Six Street Gallery story and all the things that happened with you, because it sounds like a movie.'\" Dutch-born van der Stokker (1954, Hertogenbosch), active artist-gallery owner on the East Side of New York in the 80's, now lives between Amsterdam and New York. 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The historic 2020 Black Lives Matter protests and the devastating Covid-19 pandemic presented unique challenges for photojournalism, forcing photographers into a terrain defined by new ethical, technological, and safety (emotional and physical) concerns, as well as innovative attacks on press freedom.\u003c\/p\u003e\r\n\u003cp\u003eThrough a series of interviews—with top photographers who covered 2020’s biggest crises, as well as key photo editors who grappled with these unprecedented obstacles inside the newsroom—\u003ci\u003eThrough the Lens: The Pandemic and Black Lives Matter \u003c\/i\u003eunpacks the industry’s most critical debates as it sheds light on the experiences and thought processes of the visual journalists themselves. Importantly, this book encourages readers to consider the efforts behind the camera lens: the challenges and risks visual journalists face to bring us the news in pictures.\u003c\/p\u003e\r\n\u003cp\u003eRichly illustrated with evocative photos, \u003ci\u003eThrough the Lens \u003c\/i\u003eis a timely and vital look at the role photojournalism serves in a world of crisis. It is a powerful follow-up to Lauren Walsh’s previous title, \u003ci\u003eConversations on Conflict Photography\u003c\/i\u003e, which offers a crucial exploration of the visual documentation of war and humanitarian crisis.\u003c\/p\u003e","brand":"Taylor \u0026 Francis Group","offers":[{"title":"Default Title","offer_id":50555519205433,"sku":"210000001661","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/9781032186153.jpg?v=1790278941"},{"product_id":"magnum-artists-great-photographers","title":"Magnum Artists: Great Photographers","description":"\u003cp\u003eMatisse and Picasso by Robert Capa, Takashi Murakami by Olivia Arthur, Warhol and de Kooning by Thomas Hoepker, Bonnard by Henri Cartier-Bresson, Sonia Delaunay by Herbert List, Kiki Smith by Susan Meiselas, and many more. For the first time, \u003cspan class=\"a-text-italic\"\u003eMagnum Artists\u003c\/span\u003e brings together a collection of over 200 photographs that define the unique relationship between the world's greatest photography collective and the world's greatest artists.\u003c\/p\u003e","brand":"Hachette Book Group (Chronicle Books)","offers":[{"title":"Default Title","offer_id":50555523268665,"sku":"210000001701","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/91a00sb4wtl.jpg?v=1790278955"},{"product_id":"photography-a-feminist-history","title":"Photography A Feminist History","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eThis feminist retelling of the history of photography puts women in the picture—and, more importantly, behind the camera!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn ten thematic, chronological sections, Tate Modern curator Emma Lewis explores the vital role women artists have played in shaping the ever-evolving medium of photography. Lewis has compiled work from more than 200 different women and nonbinary photographers along with short essays on 75 different artists, many informed by her interviews with the subjects. From the studio portraiture of the late nineteenth century to the photojournalism of Dorothea Lange and Lee Miller in the early twentieth—and from second-wave feminist critiques of gender roles to contemporary selfies and social media personae—this volume examines different genres, styles, and approaches to photography from the 1800s to the present.\u003cbr\u003e\u003cbr\u003eUNPARALLELED IN SCOPE: International, inclusive, and intersectional, this comprehensive volume tells the story of a versatile and innovative medium. From early-twentieth-century self-portraits responding to modernity and changing notions of womanhood, to photojournalistic images documenting the climate crisis, the photographs in this book demonstrate the varied ways that women respond to and shape the global cultural landscape. The artists profiled here include:\u003cbr\u003e\u003cbr\u003e• Sheila Pree Bright\u003cbr\u003e• Imogen Cunningham\u003cbr\u003e• Paz Errázuriz\u003cbr\u003e• Nan Goldin\u003cbr\u003e• Kati Horna\u003cbr\u003e• Mari Katayama\u003cbr\u003e• Dora Maar\u003cbr\u003e• Lee Miller\u003cbr\u003e• Tina Modotti\u003cbr\u003e• Zanele Muholi\u003cbr\u003e• Shirin Neshat\u003cbr\u003e• Cindy Sherman\u003cbr\u003e• Lieko Shiga\u003cbr\u003e• Lorna Simpson\u003cbr\u003e• Amalia Ulman\u003cbr\u003e• And more!\u003cbr\u003e\u003cbr\u003eINSIGHTFULLY ORGANIZED: The thematic chapters of this project showcase photography's changing role in society and art. They allow the author to explore and contextualize how this role has (or hasn't) made space for women and people of marginalized genders, and how the work done on the margins of the medium pushes the boundaries of technology and creative expression. This is not simply a collection of \"women photographers\"—it's a book about how and why women and nonbinary artists have used photography to respond to and shape their own realities.\u003c\/p\u003e","brand":"Hachette Book Group (Chronicle Books)","offers":[{"title":"Default Title","offer_id":50555523334201,"sku":"210000001702","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/81hxrrjhvxl.jpg?v=1790278956"},{"product_id":"michalis-pichler-publishing-manifestos","title":"Michalis Pichler: Publishing Manifestos","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eManifestos by artists, authors, editors, publishers, designers, zinesters explore publishing as artistic practice.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIndependent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue—or even medium—for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's \"linguistic turn.\" Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. \u003cspan class=\"a-text-italic\"\u003ePublishing Manifestos\u003c\/span\u003e gathers texts by artists, authors, editors, publishers, designers, zinesters, and activists to explore this rapidly expanding terrain for art practice.\u003cbr\u003eThe book begins in the last century, with texts by Gertrude Stein, El Lissitsky, Oswald de Andrade, and Jorge-Luis Borges. But the bulk of the contributions are from the twenty-first century, with an emphasis on diversity, including contributions from Tauba Auerbach, Mariana Castillo Deball, Ntone Edjabe, Girls Like Us, Karl Holmqvist, Temporary Services, and zubaan. Some contributors take on new forms of production and distribution; others examine the political potential of publishing and the power of collectivity inherent in bookmaking. They explore among other topics, artists' books, appropriation, conceptual writing, non-Western communities, queer identities, and post-digital publishing. Many texts are reproduced in facsimile—including a handwritten \"speculative, future-forward newspaper\" from South Africa. Some are proclamatory mission statements, others are polemical self-positioning; some are playful, others explicitly push the boundaries. All help lay the conceptual foundations of a growing field of practice and theory.\u003c\/p\u003e","brand":"Penguin Random House LLC","offers":[{"title":"Default Title","offer_id":50555523891257,"sku":"210000001710","price":24.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71ddobsld6l.jpg?v=1790278961"},{"product_id":"graciela-iturbide-on-dreams-symbols-and-imagination","title":"Graciela Iturbide on Dreams, Symbols, and Imagination","description":"\u003cp\u003eIn this volume of \u003cspan class=\"a-text-italic\"\u003eThe Photography Workshop Series\u003c\/span\u003e, Graciela Iturbide—known for her portraits and landscapes imbued with poetic ambiguity and documentary truth—explores photographing in ways that employ a deeply personal vision, while also reflecting subjects’ rich cultural backgrounds.\u003cbr\u003e\u003cbr\u003eAperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Iturbide shares her creative process and artistic inspirations, and discusses a wide range of issues, from the importance of surprise and recognizing what speaks to you, to capturing symbolism and meaning in the everyday. \u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555527397433,"sku":"210000001755","price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61uujxjjt4l.jpg?v=1790278980"},{"product_id":"richard-benson-object-lesson","title":"Richard Benson- Object Lesson","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eThrough engaging interviews, testimonials, and anecdotes from photographers, curators, printers, and colleagues, \u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eObject Lesson: On the Influence of Richard Benson\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e pays homage to a legendary figure whose name is synonymous with the evolving history and philosophy of photographic reproduction.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eFrom making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, \u003cspan class=\"a-text-italic\"\u003eObject Lesson\u003c\/span\u003e stands as a testament to Benson’s wit, wisdom, and incomparable obsession with how photographic images render and connect us to the world.\u003cbr\u003e\u003cbr\u003eText, image, and interview contributions by Michele Abeles, Marion Belanger, Barbara Benson, Richard Benson, Dawoud Bey, Andrew Borowiec, Lois Conner, Matthew Connors, Tim Davis, Benjamin Donaldson, Dru Donovan, Martina Droth, Shannon Ebner, Lucas Foglia, Peter Galassi, John Gambell, Jon Goodman, Bryan Graf, Gail Albert Halaban, Gary Haller, Heyward Hart, Robert J. Hennessey, Peter Kayafas, Lisa Kereszi, Justin Kimball, David La Spina, John Lehr, Susan Lipper, Salvatore Lopes, Peter MacGill, Tanya Marcuse, Lesley A. Martin, Miko McGinty, Sue Medlicott, Sarah Meister, Paul Messier, Andrea Modica, Matthew Monteith, Abelardo Morell, Arthur Ou, Thomas Palmer, Tod Papageorge, Ted Partin, Bradley Peters, John Pilson, Kristine Potter, Caitlin Teal Price, Sergio Purtell, Jock Reynolds, John Robinson, Jeff L. Rosenheim, Sasha Rudensky, Gary Schneider, David Benjamin Sherry, Steve Smith, Mark Steinmetz, Sarah Stolfa, Ka-Man Tse, James Welling, and Jeff Whetstone\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555527528505,"sku":"210000001756","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61n7o2ig-el.jpg?v=1790278980"},{"product_id":"the-lives-of-images-vol-3-archives-histories-and-memory","title":"The Lives of Images, Vol. 3: Archives, Histories, and Memory","description":"\u003cp\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe Lives of Images\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wider set of cultural practices. The series tracks the many movements and “lives” of images—their tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eVolume 3 in this series, \u003cspan class=\"a-text-italic\"\u003eArchives, Histories, and Memory\u003c\/span\u003e, addresses the ways repositories of images are complexly bound up with the formation of histories, the perceptual limits of the photograph, the exercise of state power, and with subaltern practices of countermemory. The reemergence of the figure, subject, and methods of the archive in contemporary twenty-first-century artistic practices is considered, as are nonart engagements with archival production in the formation of counterhegemonic histories, whether in the heat of revolutionary struggle or as recuperative practice for marginalized subjects. Questions of imperialism’s influence over archival practices and the contested state of the image and the document recur in varying contexts. Taken together, the essays in this volume probe what remains and persists through strategies of preservation, what the politics of preservation accommodate and disavow, what exceeds inscription within the photograph but persists as a ghosting of the image (or the archive), and what the limits of artistic strategies centered in the archive might tell us of our present moment.\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555527790649,"sku":"210000001758","price":24.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61ooocpzjhl.jpg?v=1790278982"},{"product_id":"charlotte-cotton-photograph-as-contemporary-art-fourth-edition","title":"Charlotte Cotton: Photograph As Contemporary Art, FOURTH EDITION","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eA new edition of the definitive title in the field of contemporary art photography by one of the world’s leading experts on the subject, Charlotte Cotton.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn the twenty-first century, photography has come of age as a contemporary art form. Almost two centuries after photographic technology was  first invented, the art world has fully embraced it as a legitimate medium, equal in status to painting and sculpture. \u003cspan class=\"a-text-italic\"\u003eThe Photograph as Contemporary Art\u003c\/span\u003e introduces the extraordinary range of contemporary art photography, from portraits of intimate life to highly staged directorial spectacles.\u003c\/p\u003e\r\n\u003cp\u003eArranged thematically, the book reproduces work from a vast span of photographers, including Andreas Gursky, Barbara Kasten, Catherine Opie, Cindy Sherman, Deana Lawson, Diana Markosian, Elle Pérez, Gregory Halpern, Lieko Shiga,  Nan Goldin, Paul Mpagi Sepuya, Pixy Liao, Susan Meiselas, and Zanele Muholi. This fully revised and updated new edition revitalizes previous discussion of works from the 2000s through dialogue with more recent practice. Alongside previously featured work, Charlotte Cotton celebrates a new generation of artists who are shaping photography as a culturally significant medium for our current sociopolitical climate. A superb resource, \u003cspan class=\"a-text-italic\"\u003eThe Photograph as Contemporary Art\u003c\/span\u003e is a uniquely broad and diverse reflection of the field.\u003c\/p\u003e","brand":"W.W. Norton \u0026 Company, Inc.","offers":[{"title":"Default Title","offer_id":50555528347705,"sku":"210000001765","price":24.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61dxmaqrhl.jpg?v=1790278985"},{"product_id":"charlotte-cotton-photography-is-magic","title":"Charlotte Cotton: Photography is Magic","description":"\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003ePhotography Is Magic\u003c\/span\u003e draws together current ideas about the use of photography as an invaluable medium in the contemporary art world. Edited and with an essay by leading photography writer and curator Charlotte Cotton, this critical publication surveys the work of a diverse group of artists, many working at the borders of the \"art world\" and the \"photography world,\" all of whom are engaged with experimental ideas concerning photographic practice and its place in a shifting photographic landscape being reshaped by digital techniques. Readers are shown the scope of photographic possibilities in the context of the contemporary creative process. From Michele Abeles and Walead Beshty to Daniel Gordon and Matthew Lipps, Cotton has selected artists who are consciously reframing photographic practices using mixed media, appropriation and a recalibration of analog processes. Cotton brings these artists together around the idea of magic, the properties of illusion and material transformation that uniquely characterize photography. Beautifully produced and critically rigorous, \u003cspan class=\"a-text-italic\"\u003ePhotography Is Magic\u003c\/span\u003e is aimed at younger photo aficionados, students and anyone interested in gaining a deeper understanding of contemporary photography. It includes images and text by more than 80 artists, including Sara Cwynar, Shannon Ebner, Annette Kelm, Josh Kline, Elad Lassry, Jon Rafman, Shirana Shahbazi and Sara VanDerBeek, among many others.\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555532738617,"sku":"210000001808","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/715yweo2bl.jpg?v=1790279009"},{"product_id":"the-spanish-civil-war-paul-preston","title":"The Spanish Civil War: Paul Preston","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eThe definitive work on the Spanish Civil War, a classic of modern historical scholarship and a masterful narrative.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003ePaul Preston is the world's foremost historian of Spain. This surging history recounts the struggles of the 1936 war in which more than 3,000 Americans took up arms. Tracking the emergence of Francisco Franco's brutal (and, ultimately, extraordinarily durable) fascist dictatorship, Preston assesses the ways in which the Spanish Civil War presaged the Second World War that ensued so rapidly after it.\u003cbr\u003e\u003cbr\u003eThe attempted social revolution in Spain awakened progressive hopes during the Depression, but the conflict quickly escalated into a new and horrific form of warfare. As Preston shows, the unprecedented levels of brutality were burned into the American consciousness as never before by the revolutionary war reporting of Ernest Hemingway, John Dos Passos, Herbert Matthews, Vincent Sheean, Louis Fischer, and many others. Completely revised, including previously unseen material on Franco's treatment of women in wartime prisons, \u003cspan class=\"a-text-italic\"\u003eThe Spanish Civil War\u003c\/span\u003e is a classic work on this pivotal epoch in the twentieth century.\u003c\/p\u003e","brand":"W.W. 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The publication emerged from the heart of a political movement―“a proto-ideology, akin to but younger than the Garveyite movement and the separatism of Elijah Mohammed,” as Spellman writes in the book’s preface―and aimed to reunite advanced art with its community, “to provide Black Music with a powerful historical and critical tool” and to enable avant-garde Black musicians and writers “to finally make a way for themselves.” This publication gathers all issues of the magazine with an introduction by poet and scholar David Grundy.\u003cbr\u003e\u003cspan class=\"a-text-bold\"\u003eContributors include\u003c\/span\u003e: A.B. Spellman, Imamu Baraka (LeRoi Jones), Larry Neal, Cecil Taylor, Milford Graves, Sun Ra, Ben Caldwell, Clyde Halisi, Don L. Lee (Haki R. Madhubuti), Duncan Barber, Gaston Neal, Hilary Broadus, James Stewart, Norman Jordan, Roger Riggins, Ronnie Gross, Stanley Crouch, Albert Ayler, Askia Muhammed Toure, Donald Stone, E. Hill, Haasan Oqwiendha Fum al Hut, Ibn Pori 'det, Ishmael Reed, Joe Goncalves, Larry A. Miller (Katibu), Sonia Sanchez, Willie Kgositsile, Billy (Fundi) Abernathy, Dan Dawson and Black Unity Trio.\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555537293369,"sku":"210000001842","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/519ajwo96tl.jpg?v=1790279029"},{"product_id":"leap-before-you-look-black-mountain-college-1933-1957","title":"Leap Before You Look: Black Mountain College 1933-1957","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eA dynamic new look at the legendary college that was a major incubator of the arts in midcentury America\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn 1933, John Rice founded Black Mountain College in North Carolina as an experiment in making artistic experience central to learning. Though it operated for only 24 years, this pioneering school played a significant role in fostering avant-garde art, music, dance, and poetry, and an astonishing number of important artists taught or studied there. Among the instructors were Josef and Anni Albers, John Cage, Merce Cunningham, Buckminster Fuller, Karen Karnes, M. C. Richards, and Willem de Kooning, and students included Ruth Asawa, Robert Rauschenberg, and Cy Twombly.\u003cbr\u003e \u003cbr\u003e\u003cspan class=\"a-text-italic\"\u003eLeap Before You Look \u003c\/span\u003eis a singular exploration of this legendary school and of the work of the artists who spent time there. Scholars from a variety of fields contribute original essays about diverse aspects of the College—spanning everything from its farm program to the influence of Bauhaus principles—and about the people and ideas that gave it such a lasting impact. In addition, catalogue entries highlight selected works, including writings, musical compositions, visual arts, and crafts. The book’s fresh approach and rich illustration program convey the atmosphere of creativity and experimentation that was unique to Black Mountain College, and that served as an inspiration to so many. This timely volume will be essential reading for anyone interested in the College and its enduring legacy.\u003c\/p\u003e","brand":"Triliteral (Yale, Harvard, DeGruyter)","offers":[{"title":"Default Title","offer_id":50555537686585,"sku":"210000001850","price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/51zek6kkwul.jpg?v=1790279031"},{"product_id":"a-world-history-of-women-photographers","title":"A World History of Women Photographers","description":"\u003cp\u003eSince the invention of the camera, women photographers have been key innovators in the medium and members of all major photography movements. 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It is a complex interplay of fine art, scientific, anthropological, documentary, and amateur traditions forged by women and men alike.\u003cbr\u003e \u003cbr\u003eDrawn from the extraordinary Solander Collection, this pioneering, alternative history of photography is based on principles of diversity and democracy, allowing famous works to be seen with fresh eyes, and giving more obscure works the platform they deserve.\u003cbr\u003e \u003cbr\u003eImages by Robert Frank, Diane Arbus, Man Ray, Ansel Adams, and Edward Weston are seen alongside those of Helen Stuart and John Lindt, early, self- trained practitioners Lady Augusta Mostyn and Major Francis Greeley, and African studio photographers Sanlé Sory, Michel Kameni, and Malick Sidibé. It contains many rarities and “firsts” and spans photography’s early decades with linchpin works by Sir John Herschel, William Henry Fox Talbot, Hippolyte Bayard, and Julia Margaret Cameron.\u003cbr\u003e \u003cbr\u003eContemporary in outlook, visually captivating, and with contributions from leading curators and photo historians, this book will prove essential reading for those looking for an introduction to the field, as well as informed readers looking for more complete knowledge.\u003c\/p\u003e","brand":"Penguin Random House LLC","offers":[{"title":"Default Title","offer_id":50555543158841,"sku":"210000001882","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71toodlt3cl.jpg?v=1790279051"},{"product_id":"ekow-eshun-in-the-black-fantastic","title":"Ekow Eshun: In the Black Fantastic","description":"\u003cp class=\"book-summary\"\u003eA richly illustrated exploration of Black culture at its most wildly imaginative, artistically ambitious, and politically urgent.\u003c\/p\u003e\r\n\u003cp\u003eA richly illustrated exploration of Black culture at its most wildly imaginative and artistically ambitious, \u003cem\u003eIn the Black Fantastic\u003c\/em\u003e assembles art and imagery from across the African diaspora. Embracing the mythic and the speculative, it recycles and reconfigures elements of fable, folklore, science fiction, spiritual traditions, ceremonial pageantry, and the legacies of Afrofuturism. In works that span photography, painting, sculpture, cinema, graphic arts, music and architecture, \u003cem\u003eIn the Black Fantastic\u003c\/em\u003e shows how speculative fictions in Black art and culture are boldly reimagining perspectives on race, gender and identity.\u003cbr\u003e\u003cbr\u003eStanding apart from Western narratives of progress and modernity premised on the historical subjugation of people of color, \u003cem\u003eIn the Black Fantastic\u003c\/em\u003e celebrates the ways that Black artists draw inspiration from African-originated myths, beliefs, and knowledge systems, confounding the Western dichotomy between the real and unreal, the scientific and the supernatural. 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In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. Continually questioning given forms of identity, Gupta offers artists and curators multiple strategies of resistance, carving out space for new ways of imagining what it might mean to live, love, and create.\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555544272953,"sku":"210000001896","price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61wjab4lbul-sl1000.jpg?v=1790279057"},{"product_id":"events-of-the-social-portraiture-and-collective-agency","title":"Events of the Social: Portraiture and Collective Agency","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eThemes of gender, race, class and social change across three generations of African photography\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThis book is a comprehensive investigation of photographic works by artists from the African continent and its diaspora. 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Another group of artists, born after the mid-1970s, explores issues of social identity, lineage, questions of belonging and personal experiences.\u003cbr\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eArtists include\u003c\/span\u003e:\u003c\/strong\u003e Sammy Baloji, Jodi Bieber, Mimi Cherono Ng’ok, Alfred Martin Duggan-Cronin, David Goldblatt, Seydou Keïta, Zanele Muholi, Malick Sidibé and Mikhael Subotzky.\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555562360889,"sku":"210000002032","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71ijfypp5vl.jpg?v=1790279144"},{"product_id":"maggie-nelson-art-of-cruelty","title":"Maggie Nelson: Art of Cruelty","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003e\"This is criticism at its best.\" ―Carolyn Kellogg, \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eLos Angeles Times\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eWriting in the tradition of Susan Sontag and Elaine Scarry, Maggie Nelson has emerged as one of our foremost cultural critics with this landmark work about representations of cruelty and violence in art. 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Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family.\u003c\/p\u003e\r\n\u003cp\u003eIn wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work.\u003c\/p\u003e\r\n\u003cp\u003eBeautifully written and deeply researched, \u003cspan class=\"a-text-italic\"\u003eWayward Lives\u003c\/span\u003e recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them―domestic service, second-class citizenship, and respectable poverty―and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, \u003cspan class=\"a-text-italic\"\u003eWayward Lives\u003c\/span\u003e recovers their radical aspirations and insurgent desires.\u003c\/p\u003e","brand":"Ingram Content Group - Mixed Vendors","offers":[{"title":"Default Title","offer_id":50555569569849,"sku":"210000002089","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/9780393357622rh0x.jpg?v=1790279169"},{"product_id":"herve-guibert-to-the-friend-who-did-not-save-my-life","title":"Herve Guibert: To the Friend Who Did Not Save My Life","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eA novel that describes, with devastating, darkly comic clarity, its narrator's experience of being diagnosed with AIDS.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eFirst published by Gallimard in 1990, \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eTo the Friend Who Did Not Save My Life\u003c\/span\u003e\u003c\/em\u003e describes, with devastating, darkly comic clarity, its narrator's experience of being diagnosed with AIDS. Guibert chronicles three months in the penultimate year of the narrator's life as, in the wake of his friend Muzil's death, he goes from one quack doctor to another, describing the progression of the disease and recording the reactions of his many friends.\u003c\/p\u003e\r\n\u003cp\u003eThe novel scandalized the French media, which quickly identified Muzil as Guibert's close friend Michel Foucault. \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eTo the Friend\u003c\/span\u003e\u003c\/em\u003e became a bestseller, and Guibert a celebrity. Guibert continued to document the daily experiences of his body in a series of novels and diaries, mostly published posthumously. \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eTo the Friend\u003c\/span\u003e\u003c\/em\u003e has since attained a cult following for its intimate and candid tone, its fragmented and slippery form. As Edmund White observed, “[Guibert's] very taste for the grotesque, this compulsion to offend, finally affords him the necessary rhetorical panache to convey the full, exhilarating horror of his predicament.” In his struggle to piece together a language suited to his suffering, Hervé Guibert catapulted himself into notoriety and sealed his reputation for uncompromising, transgressive prose.\u003c\/p\u003e","brand":"Penguin Random House LLC","offers":[{"title":"Default Title","offer_id":50555571208249,"sku":"210000002106","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/91jkjncw43l.jpg?v=1790279178"},{"product_id":"jacques-besse-the-great-easter","title":"Jacques Besse: The Great Easter","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eA hallucinating, insomniac, and increasingly fragile flaneur wanders the streets of Paris over the long Easter weekend of 1960.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eParis, Easter weekend 1960. The French composer Jacques Besse sets out on a marathon stroll through the city that begins on Good Friday, when he leaves his brother’s house on rue de Turbigo, and ends on Easter Monday, when, having declared himself Mars, the god of war, to mystified restaurant-goers, he ambles back toward Saint-Germain-des-Prés. \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Great Easter\u003c\/span\u003e\u003c\/em\u003e—a memoir in the form of a novella, or perhaps a novella in the form of a memoir—is the first-person account of a hallucinating, insomniac, and increasingly fragile flaneur’s unending ambulation.\u003cbr\u003e \u003cbr\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Great Easter\u003c\/span\u003e\u003c\/em\u003e was first published in French in 1969 and became famous a few years later when in their milestone work \u003cu\u003eAnti-Oedipus\u003c\/u\u003e Gilles Deleuze and Félix Guattari referred to Besse’s walk as the quintessential “double stroll of the schizo.” (Besse was a patient at Guattari’s psychiatric clinic La Borde.) Besse’s stroll purées past and present, real and not-real: a rendezvous with a prostitute intersects with Sergei Eisenstein and his entourage, a bellowed song about the sea is overwhelmed by “memories” of the 1830 July Revolution, and the entire universe gathers itself up into a bubble above Gare d’Austerlitz. He is seized by anxiety, released by joy; he announces his cosmic celebrity via a huge (imaginary) television while freezing in the night and calling out for bread. A cult favorite in France, \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Great Easter\u003c\/span\u003e\u003c\/em\u003e is an engrossing, surreal road movie of a book.\u003c\/p\u003e","brand":"Penguin Random House LLC","offers":[{"title":"Default Title","offer_id":50555571404857,"sku":"210000002107","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71ewiqga70l.jpg?v=1790279179"},{"product_id":"renata-cherlise-black-archives","title":"Renata Cherlise: Black Archives","description":"\u003cdiv id=\"mobile-about-the-book\"\u003e\r\n\u003cdiv id=\"seemore-0\" class=\"slot product-about 9781984859297 isbn-related seemoreenable show opened\"\u003e\r\n\u003csection class=\"overview\"\u003e\r\n\u003cp\u003e\u003cstrong\u003eA photographic celebration and exploration of Black identity and experience through the twentieth century from the founder and curator of the hit multimedia platform Black Archives.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e“A spell-binding visual narrativization of family, culture, and history.”—Thelma Golden, director and chief curator of the Studio Museum in Harlem\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eRenata Cherlise’s family loved capturing their lives in photographs and home movies, sparking her love of archival photography. 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The images showcase reunions, nights out on the town, parents and children, church and school functions, holidays, big life events, family vacations, moments at home, and many more occasions of leisure, excitement, reflection, and pride.\u003cbr\u003e \u003cbr\u003eFeaturing more than three hundred images that spotlight the iconic and the candid, \u003cem\u003eBlack Archives\u003c\/em\u003e offers a nuanced compendium of Black memory and imagination.\u003c\/p\u003e\r\n\u003c\/section\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Penguin Random House LLC","offers":[{"title":"Default Title","offer_id":50555571732537,"sku":"210000002109","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/9781984859297.jpg?v=1790279181"},{"product_id":"women-photograph-what-we-see-women-and-nonbinary-perspectives-through-the-lens","title":"Women Photograph - What We See: Women and Nonbinary Perspectives Through the Lens","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eOpen your eyes to a new world view with 100 women and nonbinary photojournalists’ stories from behind the lens.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e85% of photojournalists are men. That means almost \u003cspan class=\"a-text-bold\"\u003eeverything that is reported in the world is seen through men’s eyes.\u003c\/span\u003e Similarly, spaces and communities men don’t have access to are left \u003cspan class=\"a-text-bold\"\u003eundocumented \u003c\/span\u003eand \u003cspan class=\"a-text-bold\"\u003eforgotten\u003c\/span\u003e. With the camera limited to the hands of one gender, photographic ‘truth’ is more subjective than it seems. 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Designed to evoke a field book and to nod toward ephemera produced by earlier artists and activists, the catalogue features works by dozens of photographers, including Ansel Adams, Robert Adams, Dorothy Marder, Alex Webb, Terry Evans, and many more.\u003c\/p\u003e\r\n\u003cp\u003e\u003ca href=\"https:\/\/harvardartmuseums.org\/about\/staff\/255\"\u003eMakeda Best\u003c\/a\u003e is the Richard L. Menschel Curator of Photography at the Harvard Art Museums.\u003c\/p\u003e\r\n\u003cp\u003eWith contributions by Makeda Best, Steven Hoelscher, Abrahm Lustgarten, Courtney J. Martin, Katherine Mintie, and Will Wilson. Also includes interviews with artists Sheila Pree Bright, Terry Evans, Ashley Gilbertson, David T. 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A unique and instructive contribution to the literature on photography, Carpenter’s research offers both a timely polemic and a timeless resource for those who use a camera.\u003c\/p\u003e","brand":"The Ice Plant","offers":[{"title":"Default Title","offer_id":50555576025145,"sku":"210000002172","price":22.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/51lmwhx6gal.jpg?v=1790279209"},{"product_id":"blacklips-her-life-and-her-many-many-deaths-anonhi-and-marti-wilkerson","title":"Blacklips: Her Life and Her Many, Many Deaths - ANONHI and Marti Wilkerson","description":"\u003cp\u003eFrom June 1992 to March 1995, in the midst of the AIDS crisis in NYC, an extraordinary theatrical collective emerged from the queer underground. Blacklips Performance Cult, initiated by ANOHNI and joined by a cabal of fellow artists, drag queens, punks, nightlife veterans and students, performed a new play every Monday night at 1:00 a.m. at the Pyramid Club on 101 Avenue A. Blacklips never courted mainstream attention. However, the group left a sustaining impression within New York’s late night subculture by melding hysterical drag, surreal horror, and disconcerting tenderness. In \u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eBlacklips: Her Life and Her Many, Many Deaths\u003c\/em\u003e,\u003c\/span\u003e ANOHNI and coeditor Marti Wilkerson lay bare the collective’s archives in photographs, scripts, and the assembled ephemera from more than one hundred and twenty original “plays.” Featuring images from newly digitized film and video recordings, texts from participants and audience members, and an introduction by Lia Gangitano, this expansive collection introduces to the twenty-first century the short-lived and ruthlessly creative phenomenon that was Blacklips.\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":50555576352825,"sku":"210000002175","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/9135stu7vhl.jpg?v=1790279211"}],"url":"https:\/\/shop.icp.org\/collections\/history-reference.oembed?page=4","provider":"International Center of Photography","version":"1.0","type":"link"}