{"title":"History\/Reference","description":"","products":[{"product_id":"photographers-a-z-by-hans-michael-koetzle","title":"Photographers A-Z By Hans-Michael Koetzle","description":"\u003cp\u003eBy Hans-Michael Koetzle\u003c\/p\u003e\r\n\u003cp\u003eArranged alphabetically, this biographical encyclopedia features every major photographer of the 20th century alongside her or his most significant monographs.\u003c\/p\u003e\r\n\u003cp\u003eFrom the earliest representatives of classical Modernism right up to the present day, \u003cem\u003ePhotographers A–Z\u003c\/em\u003e celebrates those photographers who have distinguished themselves with important publications or exhibitions, and who have made a significant contribution to the culture of the photographic image. The entries include photographers from North America and Europe as well as from Japan, Latin America, Africa, and China.\u003c\/p\u003e\r\n\u003cp\u003eRichly illustrated with facsimiles from books and magazines, the collection also features photographers working in “applied” areas, whose work is regarded as photographic art. Star turns include Julius Shulman, Terry Richardson, Cindy Sherman, and David LaChapelle.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHardcover; English; 640 pages\u003c\/li\u003e\r\n\u003cli\u003ePublication Date: June 2019\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 6 x 8 x 2 inches (W x L x D)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Ingram Publisher Services (TASCHEN)","offers":[{"title":"Default Title","offer_id":50555411136569,"sku":"210000000267","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/photographers-a-z.jpg?v=1790278374"},{"product_id":"david-campany-on-photographs","title":"David Campany: On Photographs","description":"\u003cp\u003eBy David Campany\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAn exploration of photography in 120 photographs.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn \u003cem\u003eOn Photographs\u003c\/em\u003e, curator and writer David Campany presents an exploration of photography in 120 photographs. 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Simultaneously, photography culture blossomed—marking the Civil War as the first conflict to be extensively documented through photographs. In \u003cem\u003eThe Black Civil War Soldier\u003c\/em\u003e, Deb Willis explores the crucial role of photography in (re)telling and shaping African American narratives of the Civil War, pulling from a dynamic visual archive that has largely gone unacknowledged.\u003c\/p\u003e\r\n\u003cp\u003eWith over seventy images, \u003cem\u003eThe Black Civil War Soldier\u003c\/em\u003e contains a huge breadth of primary and archival materials, many of which are rarely reproduced. The photographs are supplemented with handwritten captions, letters, and other personal materials; Willis not only dives into the lives of black Union soldiers, but also includes stories of other African Americans involved with the struggle—from left-behind family members to female spies. Willis thus compiles a captivating memoir of photographs and words and examines them together to address themes of love and longing; responsibility and fear; commitment and patriotism; and—most predominantly—African American resilience.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThe Black Civil War Soldier\u003c\/em\u003e offers a kaleidoscopic yet intimate portrait of the African American experience, from the beginning of the Civil War to 1900. Through her multimedia analysis, Willis acutely pinpoints the importance of African American communities in the development and prosecution of the war. The book shows how photography helped construct a national vision of blackness, war, and bondage, while unearthing the hidden histories of these black Civil War soldiers. 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Willis is the author of \u003cem\u003ePosing Beauty: African American Images from the 1890s to the Present\u003c\/em\u003e; \u003cem\u003eReflections in Black: A History\u003c\/em\u003e \u003cem\u003eof Black Photographers - 1840 to the Present\u003c\/em\u003e; \u003cem\u003eLet Your Motto be Resistance – African American Portraits\u003c\/em\u003e; \u003cem\u003eEnvisioning Emancipation: Black Americans and the End of Slavery with Barbara Krauthamer\u003c\/em\u003e; and \u003cem\u003eMichelle Obama: The First Lady in Photographs\u003c\/em\u003e. Both Envisioning Emancipation and Michelle Obama received NAACP Image Awards.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e• Hardcover; English; 256 pages\u003c\/p\u003e\r\n\u003cp\u003e• Publisher: NYU Press  \/  Pub Date: January 2021\u003c\/p\u003e\r\n\u003cp\u003e• Dimensions: 8.25 x 10.25 x 0.75 inches (W x L x D)\u003c\/p\u003e","brand":"Ingram Publisher Services (NYU Press)","offers":[{"title":"Default Title","offer_id":50555480703033,"sku":"210000001007","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/deborah-willis.jpg?v=1790278741"},{"product_id":"what-they-saw-historical-photobooks-by-women","title":"What They Saw: Historical Photobooks By Women","description":"\u003cp\u003eWhat They Saw: Historical Photobooks by Women, 1843 – 1999, 10×10’s most recent “book-on-photobooks” anthology in its ongoing examination of photobook history, explores photobooks created by women from photography’s beginnings to the dawn of the 21st century. Presenting a diverse geographic and ethnic selection, the anthology interprets historical photobooks by women in the broadest sense possible: classic bound books, portfolios, personal albums, unpublished books, zines and scrapbooks. Some of the books documented are well-known publications such as Anna Atkins’ Photographs of British Algae: Cyanotype Impressions (1843-1853), Germaine Krull’s Métal (1928) and Diane Arbus: An Aperture Monograph (1972), while other books may be relatively unknown, such as Alice Seeley Harris’ The Camera and the Congo Crime (c. 1906), Varvara Stepanova’s Groznyi smekh. Okna Rosta (1932), Eslanda Cardozo Goode Robeson’s African Journey (1945), Fina Gómez Revenga’s Fotografías de Fina Gómez Revenga (1954), Eiko Yamazawa’s Far and Near (1962) and Gretta Alegre Sarfaty’s Auto-photos: Série transformações—1976: Diário de Uma Mulher—1977 (1978). Also addressed in the publication are the glaring gaps and omissions in current photobook history—in particular, the lack of access, support and funding for photobooks by non-Western women and women of color.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003ePublished by 10×10 Photobooks\u003cbr data-start=\"933\" data-end=\"936\"\u003e2021\u003cbr data-start=\"940\" data-end=\"943\"\u003eUSA\u003cbr data-start=\"946\" data-end=\"949\"\u003eEdition of 3000\u003cbr data-start=\"965\" data-end=\"968\"\u003eHardcover\u003cbr data-start=\"977\" data-end=\"980\"\u003e23 × 28 × 3 cm\u003cbr data-start=\"994\" data-end=\"997\"\u003e520 pages\u003c\/p\u003e","brand":"10x10 Photobooks, Inc.","offers":[{"title":"Default Title","offer_id":50555500855353,"sku":"210000001333","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71-5s6kop2l.jpg?v=1790278860"},{"product_id":"another-country-british-documentary-photography-since-1945","title":"Another Country: British Documentary Photography Since 1945","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eFrom the Second World War to Brexit and Covid-19, a vividly written, generously illustrated history of British documentary photography by renowned writer and critic Gerry Badger.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003eAnother Country\u003c\/span\u003e offers a lively, vital rethinking of British documentary photography over the last seven decades. This collection includes a diverse range of photographers working in an exciting array of photographic and artistic modes, encompassing images from iconic reportage to photo-text pieces, from self-portraits to political photo-collages.\u003c\/p\u003e\r\n\u003cp\u003eAs Britain takes an increasingly significant place in the history of documentary photography, award-winning photography writer and critic Gerry Badger brings vital context and breadth to the conversation. Organized chronologically, each chapter spans a particular period of social and cultural history, focusing on the major photographers, figures, institutions, publications, and galleries that shaped the photographic climate of their time, as well as the broader tastes of the era. Chapter-by-chapter picture sections present famous works alongside forgotten masterpieces, interspersed with focused commentaries on selected photographs. This multilayered approach provides a rich understanding of the evolution and sheer variety of British documentary photography.\u003c\/p\u003e\r\n\u003cp\u003eA must-have for anyone interested in the history of photography, this book is a comprehensive overview of how photographers and photo- artists have depicted Britain and British society over the last seventy years.\u003c\/p\u003e","brand":"W.W. Norton \u0026 Company, Inc.","offers":[{"title":"Default Title","offer_id":50555507769401,"sku":"210000001581","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61fsdv1nafl.jpg?v=1790278898"},{"product_id":"lauren-walsh-through-the-lens","title":"Lauren Walsh: Through The Lens","description":"\u003cp\u003e2020 was a period of groundbreaking social and political upheaval, in combination with a colossal epidemiological crisis—and it urgently redefined the working conditions of photojournalists. The historic 2020 Black Lives Matter protests and the devastating Covid-19 pandemic presented unique challenges for photojournalism, forcing photographers into a terrain defined by new ethical, technological, and safety (emotional and physical) concerns, as well as innovative attacks on press freedom.\u003c\/p\u003e\r\n\u003cp\u003eThrough a series of interviews—with top photographers who covered 2020’s biggest crises, as well as key photo editors who grappled with these unprecedented obstacles inside the newsroom—\u003ci\u003eThrough the Lens: The Pandemic and Black Lives Matter \u003c\/i\u003eunpacks the industry’s most critical debates as it sheds light on the experiences and thought processes of the visual journalists themselves. Importantly, this book encourages readers to consider the efforts behind the camera lens: the challenges and risks visual journalists face to bring us the news in pictures.\u003c\/p\u003e\r\n\u003cp\u003eRichly illustrated with evocative photos, \u003ci\u003eThrough the Lens \u003c\/i\u003eis a timely and vital look at the role photojournalism serves in a world of crisis. 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Edited and with an essay by leading photography writer and curator Charlotte Cotton, this critical publication surveys the work of a diverse group of artists, many working at the borders of the \"art world\" and the \"photography world,\" all of whom are engaged with experimental ideas concerning photographic practice and its place in a shifting photographic landscape being reshaped by digital techniques. Readers are shown the scope of photographic possibilities in the context of the contemporary creative process. From Michele Abeles and Walead Beshty to Daniel Gordon and Matthew Lipps, Cotton has selected artists who are consciously reframing photographic practices using mixed media, appropriation and a recalibration of analog processes. Cotton brings these artists together around the idea of magic, the properties of illusion and material transformation that uniquely characterize photography. Beautifully produced and critically rigorous, \u003cspan class=\"a-text-italic\"\u003ePhotography Is Magic\u003c\/span\u003e is aimed at younger photo aficionados, students and anyone interested in gaining a deeper understanding of contemporary photography. It includes images and text by more than 80 artists, including Sara Cwynar, Shannon Ebner, Annette Kelm, Josh Kline, Elad Lassry, Jon Rafman, Shirana Shahbazi and Sara VanDerBeek, among many others.\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555532738617,"sku":"210000001808","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/715yweo2bl.jpg?v=1790279009"},{"product_id":"phillip-prodger-an-alternative-history-of-photography","title":"Phillip Prodger: An Alternative History of Photography","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eAs inclusive, dynamic and exciting as the medium itself, this utterly original look at the history of photography integrates the landmark discoveries of recent decades to chart new pathways that encompass overlooked artists, traditions, and techniques.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThe real history of photography is a vast collection of inter-connected stories stretching from East Asia to West Africa, from New Zealand to Uzbekistan.\u003cbr\u003e \u003cbr\u003eIt parallels acknowledged greats with forgotten masters, and lesser-known works with regional champions. It is a complex interplay of fine art, scientific, anthropological, documentary, and amateur traditions forged by women and men alike.\u003cbr\u003e \u003cbr\u003eDrawn from the extraordinary Solander Collection, this pioneering, alternative history of photography is based on principles of diversity and democracy, allowing famous works to be seen with fresh eyes, and giving more obscure works the platform they deserve.\u003cbr\u003e \u003cbr\u003eImages by Robert Frank, Diane Arbus, Man Ray, Ansel Adams, and Edward Weston are seen alongside those of Helen Stuart and John Lindt, early, self- trained practitioners Lady Augusta Mostyn and Major Francis Greeley, and African studio photographers Sanlé Sory, Michel Kameni, and Malick Sidibé. It contains many rarities and “firsts” and spans photography’s early decades with linchpin works by Sir John Herschel, William Henry Fox Talbot, Hippolyte Bayard, and Julia Margaret Cameron.\u003cbr\u003e \u003cbr\u003eContemporary in outlook, visually captivating, and with contributions from leading curators and photo historians, this book will prove essential reading for those looking for an introduction to the field, as well as informed readers looking for more complete knowledge.\u003c\/p\u003e","brand":"Penguin Random House LLC","offers":[{"title":"Default Title","offer_id":50555543158841,"sku":"210000001882","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71toodlt3cl.jpg?v=1790279051"},{"product_id":"revolution-is-love-a-year-of-black-trans-liberation","title":"Revolution is Love: A Year of Black Trans Liberation","description":"\u003cp\u003e\u003ci\u003eRevolution Is Love: A Year of Black Trans Liberation\u003c\/i\u003e is the powerful and celebratory visual record of a contemporary activist movement in New York City, and a moving testament to the enduring power of photography in activism, advocacy, and community.\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555544174649,"sku":"210000001895","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/9781597115308.jpg?v=1790279056"},{"product_id":"saidiya-hartman-wayward-lives-beautiful-experiments","title":"Saidiya Hartman: Wayward Lives, Beautiful Experiments","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eA breathtaking exploration of the lives of young black women in the early twentieth century.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn \u003cspan class=\"a-text-italic\"\u003eWayward Lives, Beautiful Experiments\u003c\/span\u003e, Saidiya Hartman examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family.\u003c\/p\u003e\r\n\u003cp\u003eIn wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work.\u003c\/p\u003e\r\n\u003cp\u003eBeautifully written and deeply researched, \u003cspan class=\"a-text-italic\"\u003eWayward Lives\u003c\/span\u003e recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them―domestic service, second-class citizenship, and respectable poverty―and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, \u003cspan class=\"a-text-italic\"\u003eWayward Lives\u003c\/span\u003e recovers their radical aspirations and insurgent desires.\u003c\/p\u003e","brand":"Ingram Content Group - Mixed Vendors","offers":[{"title":"Default Title","offer_id":50555569569849,"sku":"210000002089","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/9780393357622rh0x.jpg?v=1790279169"},{"product_id":"jacques-besse-the-great-easter","title":"Jacques Besse: The Great Easter","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eA hallucinating, insomniac, and increasingly fragile flaneur wanders the streets of Paris over the long Easter weekend of 1960.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eParis, Easter weekend 1960. The French composer Jacques Besse sets out on a marathon stroll through the city that begins on Good Friday, when he leaves his brother’s house on rue de Turbigo, and ends on Easter Monday, when, having declared himself Mars, the god of war, to mystified restaurant-goers, he ambles back toward Saint-Germain-des-Prés. \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Great Easter\u003c\/span\u003e\u003c\/em\u003e—a memoir in the form of a novella, or perhaps a novella in the form of a memoir—is the first-person account of a hallucinating, insomniac, and increasingly fragile flaneur’s unending ambulation.\u003cbr\u003e \u003cbr\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Great Easter\u003c\/span\u003e\u003c\/em\u003e was first published in French in 1969 and became famous a few years later when in their milestone work \u003cu\u003eAnti-Oedipus\u003c\/u\u003e Gilles Deleuze and Félix Guattari referred to Besse’s walk as the quintessential “double stroll of the schizo.” (Besse was a patient at Guattari’s psychiatric clinic La Borde.) 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With the shelling of Kyiv, Kharkiv, Odessa, and Kherson, the war with Russia had clearly, irreversibly begun: “I thought, this has been allowed to happen, it is a crime against everything human, against a great common space where we live and hope for a future.” With power and clarity, the \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eWar Diary\u003c\/span\u003e\u003c\/em\u003e of Yevgenia Belorusets documents the long beginning of the devastation and its effects on the ordinary residents of Ukraine; what it feels like to interact with the strangers who suddenly become your “countrymen”; the struggle to make sense of a good mood on a spring day; the new danger of a routine coffee run. First published in the German newspaper \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eDer Spiegel\u003c\/span\u003e\u003c\/em\u003e and then translated and released each day on the site ISOLARII (and on \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eArtforum\u003c\/span\u003e\u003c\/em\u003e), the \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eWar Diary\u003c\/span\u003e\u003c\/em\u003e had an immediate impact worldwide: it was translated by an anonymous collective of writers on Weibo; read live by Margaret Atwood on International Women’s Day; adapted for an episode of \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThis American Life\u003c\/span\u003e\u003c\/em\u003e on NPR; and brought to the 2022 Venice Biennale by President Zelensky as part of the pavilion “This is Ukraine: Defending Freedom.”\u003c\/p\u003e","brand":"W.W. Norton \u0026 Company, Inc.","offers":[{"title":"Default Title","offer_id":50555575074873,"sku":"210000002164","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61phldqubol.jpg?v=1790279203"},{"product_id":"blacklips-her-life-and-her-many-many-deaths-anonhi-and-marti-wilkerson","title":"Blacklips: Her Life and Her Many, Many Deaths - ANONHI and Marti Wilkerson","description":"\u003cp\u003eFrom June 1992 to March 1995, in the midst of the AIDS crisis in NYC, an extraordinary theatrical collective emerged from the queer underground. Blacklips Performance Cult, initiated by ANOHNI and joined by a cabal of fellow artists, drag queens, punks, nightlife veterans and students, performed a new play every Monday night at 1:00 a.m. at the Pyramid Club on 101 Avenue A. Blacklips never courted mainstream attention. However, the group left a sustaining impression within New York’s late night subculture by melding hysterical drag, surreal horror, and disconcerting tenderness. In \u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eBlacklips: Her Life and Her Many, Many Deaths\u003c\/em\u003e,\u003c\/span\u003e ANOHNI and coeditor Marti Wilkerson lay bare the collective’s archives in photographs, scripts, and the assembled ephemera from more than one hundred and twenty original “plays.” Featuring images from newly digitized film and video recordings, texts from participants and audience members, and an introduction by Lia Gangitano, this expansive collection introduces to the twenty-first century the short-lived and ruthlessly creative phenomenon that was Blacklips.\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":50555576352825,"sku":"210000002175","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/9135stu7vhl.jpg?v=1790279211"},{"product_id":"joan-didion-what-she-means","title":"Joan Didion: What She Means","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eAn exploration of the visual corollary to Didion’s life and work and the feeling that each generates in her admirers, detractors and critics―including artists from Helen Lundeberg to Diane Arbus, Betye Saar to Maren Hassinger, Vija Celmins and Andy Warhol\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eJoan Didion: What She Means\u003c\/span\u003e\u003c\/em\u003e, the writer and curator Hilton Als creates a mosaic that explores Didion's life and work and the feeling each generates in her admirers, detractors and critics.\u003c\/p\u003e\r\n\u003cp\u003eArranged chronologically, the book highlights Didion's fascination with the two coasts that made her. As a Westerner transplanted to New York, Didion was able to look at her native land, its mores and fixed rules of behavior, with the loving and critical eyes of a daughter who got out and went back. (Didion and her late husband moved from New York to Los Angeles in 1964, where they worked as highly successful screenwriters, producing scripts for 1971's \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Panic in Needle Park\u003c\/span\u003e\u003c\/em\u003e and 1976's \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eA Star Is Born\u003c\/span\u003e\u003c\/em\u003e, among other works, before returning to New York 20 years later.) And from her New York perch, Didion was able to observe the political scene more closely, writing trenchant pieces about Clinton, El Salvador and most searingly the Central Park Five. The book includes more than 50 artists ranging from Brice Marden and Ed Ruscha to Betye Saar, Vija Clemins and many others, with works in all mediums including painting, ephemera, photography, sculpture, video and film. Also included are three previously uncollected texts by Didion: “In Praise of Unhung Wreaths and Love” (1969); a much-excerpted 1975 commencement address at UC Riverside; and “The Year of Hoping for Stage Magic” (2007).\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555579629625,"sku":"210000002204","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/51xrks4hqcl.jpg?v=1790279235"},{"product_id":"clap-10x10-contemporary-latin-american-photobooks","title":"CLAP! - 10x10 Contemporary Latin American Photobooks","description":"\u003ch4 class=\"h6\"\u003eA photobook anthology that documents CLAP!, a traveling reading room exhibition of 130 contemporary Latin American Photobooks from 2000 to 2016. Selected by Latin American specialists, the books presented offer a range of twenty-first century Latin American photobooks that are rarely seen or available outside the region.\u003c\/h4\u003e\r\n\u003cp\u003eThe books in \u003cem\u003eCLAP!\u003c\/em\u003e represent many of the most exciting innovations in Latin American photography and publications. Copiously illustrated and indexed, the publication provides full color spreads and detailed bibliographic information for 130 photobooks.\u003c\/p\u003e","brand":"10x10 Photobooks, Inc.","offers":[{"title":"Default Title","offer_id":50555579891769,"sku":"210000002206","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/51tqhujokhl.jpg?v=1790279237"},{"product_id":"a-world-history-of-photography-5th-edition-naomi-rosenblum","title":"A World History of Photography 5th Edition: Naomi Rosenblum","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eAn up-to-date edition of the authoritative history of photography―widely embraced by both students and general readers\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eNaomi Rosenblum's classic history of photography traces the evolution of this young art form chronologically and thematically. Exploring the diverse roles that photography has played in the communication of ideas, Rosenblum devotes special attention to topics such as portraiture, documentation, advertising, and photojournalism, and to the camera as a means of personal artistic expression. Her text is illustrated with nearly nine hundred images by photographers both celebrated and little known, arranged in stimulating juxtapositions that illuminate their visual power.\u003cbr\u003e \u003cbr\u003eThis fifth edition of \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eA World History of Photography\u003c\/span\u003e\u003c\/em\u003e is substantively revised and updated. The photography of the past several decades is reevaluated from a contemporary perspective, and international developments are covered in greater detail. The main strands of today's complex universe of digital image-making are masterfully summarized and placed in their historical context, and the careers of representative contemporary photographers are studied in depth.\u003cbr\u003e \u003cbr\u003eThoughtfully written, carefully and abundantly illustrated, and provided with a full apparatus―including a chronology, glossary, and annotated bibliography―Rosenblum's volume remains the indispensable work on its subject.\u003c\/p\u003e","brand":"W.W. 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Drawing on extensive research, Lena Fritsch traces the development of Japanese photography chronologically, from the severity of post-war Realism to the diverse ingenuity of photography in contemporary Japan. Interspersed are fascinating original interviews with some of the most influential photographers of each era, including Daido Moriyama.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eRavens and Red Lipstick\u003c\/span\u003e\u003c\/em\u003e offers a visually bold survey of Japanese photography’s recent history. Fritsch masterfully frames each movement with their business, education, and art-institutional backdrops―she shows the consumerism and intense political debates of 1960s and ’70s Japan, for example, to be central to the rough style of the “Provoke” artists. Fritsch’s great achievement is to bring observations from a range of disciplines to bear on her commentary with imagination and clarity. As a result, this comprehensively illustrated volume is both an accessible introduction and an illuminating work of analysis of Japanese photography since 1945. \u003c\/p\u003e","brand":"W.W. Norton \u0026 Company, Inc.","offers":[{"title":"Default Title","offer_id":50555582251065,"sku":"210000002230","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/81ejqgqvc3l.jpg?v=1790279257"},{"product_id":"kimberly-drew-jenna-wortham-black-futures","title":"Kimberly Drew \u0026 Jenna Wortham: Black Futures","description":"\u003cp\u003eKimberly Drew and Jenna Wortham have brought together this collection of work—images, photos, essays, memes, dialogues, recipes, tweets, poetry, and more—to tell the story of the radical, imaginative, provocative, and gorgeous world that Black creators are bringing forth today. The book presents a succession of startling and beautiful pieces that generate an entrancing rhythm: readers will go from conversations with activists and academics to memes and Instagram posts, from powerful essays to dazzling paintings and insightful infographics. In answering the question of what it means to be Black and alive, \u003cem\u003eBlack Futures\u003c\/em\u003e opens a prismatic vision of possibility for every reader.\u003c\/p\u003e","brand":"Penguin Random House LLC","offers":[{"title":"Default Title","offer_id":50555582447673,"sku":"210000002232","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/black-futures.jpg?v=1790279259"},{"product_id":"zoraida-lopez-diago-black-matrilineage-photography-and-representation","title":"Zoraida Lopez Diago: Black Matrilineage, Photography, and Representation","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eBlack Matrilineage, Photography, and Representation\u003c\/em\u003e was written by Zoraida Lopez Diago and Lesly Deschler Canossi\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eBlack Matrilineage, Photography, and Representation\u003c\/span\u003e\u003c\/em\u003e questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. Drawing on a wide range of scholarly inquiry and contemporary art, this book addresses these misconceptions and fills in the gaps that exist in the photographic representation of Black motherhood, mothering, and mutual care within Black communities.\u003c\/p\u003e\r\n\u003cp\u003eThe essays and interviews, paired with a curated selection of images, address the complicated relationship between Blackness and photography and in particular its gendered dimension, its relationship to health, sexuality, and digital culture – primarily in the context of racialized heteronormativity. This collection, then, challenges racist images and discourses, both historically and in its persistence in contemporary society, while reclaiming the innate brilliance of Black women through personal stories, history, political acts, connections to place, moments of pleasure, and communal celebration.\u003c\/p\u003e\r\n\u003cp\u003eThis visual exploration of Black motherhood through pictures made by Black woman–identifying photographers thus serves as a reflection of the past and a portal to the future and contributes to recent scholarship on the complexity of Black life and Black joy.\u003c\/p\u003e\r\n\u003cp\u003eThis book emerges from the project Women Picturing Revolution.\u003cbr\u003eFor more information, visit womenpicturingrevolution.com\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eContributing authors:\u003c\/strong\u003e Tomi Akitunde (founder and editor-in-chief of mater mea), Grace Aneiza Ali (New York University), Emily Brady (University of Nottingham), Lesly Deschler Canossi (Women Picturing Revolution), Nicole J. Caruth (independent curator), Haile Eshe Cole (University of Connecticut), Atalie Gerhard (Saarland University), Kellie Carter Jackson (Wellesley College), Régine Michelle Jean-Charles (Northeastern University), Rachel Lobo (York University), Zoraida Lopez-Diago (Women Picturing Revolution), Salamishah Tillet (Rutgers University), Scheherazade Tillet (A Long Walk Home), Brie McLemore (University of California, Berkeley), Renée Mussai (Autograph London), Marly Pierre-Louis (independent curator), Jonathan Michael Square (Parsons School of Design), Susan Thompson (independent curator), Jennifer Turner (Hollins University), Sasha Turner (Johns Hopkins University), Rhaisa Kameela Williams (Princeton University)\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eContributing artists:\u003c\/strong\u003e Nydia Blas, Samantha Box, Renee Cox, Andrea Chung, Nona Faustine, Adama Delphine Fawundu, vanessa german, Ayana V. Jackson, Lebohang Kganye, Deana Lawson, Qiana Mestich, Marcia Michael, Zanele Muholi, Wangechi Mutu, Keisha Scarville, Mickalene Thomas, Mary Sibande, Carrie Mae Weems, Deborah Willis.\u003c\/p\u003e","brand":"Cornell University Press","offers":[{"title":"Default Title","offer_id":50555582971961,"sku":"210000002239","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61w7rnnlesl.jpg?v=1790279264"},{"product_id":"strikethrough-typographic-messages-of-protest","title":"Strikethrough: Typographic Messages of Protest","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eA powerful new exploration of the uses of lettering, type and design to amplify resistance and inspire change―from 19th-century antislavery broadsides to the “Silence = Death” graphics of the AIDS epidemic and the handmade signs of the Black Lives Matter movement\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eOrganized into chapters that explore the many ways to express dissent (RESIST!, VOTE!, STRIKE!, TEACH! and LOVE!), \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eStrikethrough\u003c\/span\u003e\u003c\/em\u003e presents more than 120 signs, posters, publications and ephemera in vivid imagery and incisive prose. From the colorful affiches of the Paris ’68 uprising to Memphis strike workers’ placards to the Black Panthers’ newspaper, this generously illustrated volume showcases the role of graphic design in a wide range of protest movements in the United States and abroad. Including selections from artists and art collectives such as Jenny Holzer, the Guerrilla Girls and Fierce Pussy, this book provides a broad and critical survey of the typographics of activism. \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eStrikethrough\u003c\/span\u003e\u003c\/em\u003e also features 10 profiles on the designers behind the graphics―including Corita Kent, Emory Douglas and Ben Shahn―and a custom display typeface based on historical protest graphics by Tré Seals, plus an introduction by activist and design scholar Colette Gaiter and an essay on type by Stephen Coles.\u003cbr\u003eCharting a typographic chant of resistance that spans more than 150 years, \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eStrikethrough\u003c\/span\u003e\u003c\/em\u003e curators Silas Munro and Stephen Coles reveal how the message makes its way to the masses via marker, screen print, spray paint, collage and both physical and digital type, and how it calls on us all to craft our own demands for social change.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eArtists and designers include\u003c\/span\u003e:\u003c\/strong\u003e Atelier Populaire, See Red Women’s Workshop, Carlos Cortez, Emory Douglas, fierce pussy, Ganzeer, Milton Glaser, Guerrilla Girls, Jenny Holzer, Corita Kent, Aaron Douglas, Art Workers’ Coalition, OSPAAAL, Tibor Kalman, Amos Paul Kennedy, Jr., Herb Lubalin, Phase 2, Favianna Rodriguez, Ward Schumaker, Ben Shahn and Wes Wilson.\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555586347065,"sku":"210000002281","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61kjkxoayrl.jpg?v=1790279291"},{"product_id":"automated-photography","title":"Automated Photography","description":"\u003cp\u003eFor the past twenty years, photographers have been integrating images produced autonomously by machines into their work. We witness a paradigm shift in the process of creating photography: From photographic capture in the strict sense to appropriation, automated and computational practices, which respond to a conception of space that is less and less built on the equivalence between the human eye and the machine.\u003c\/p\u003e\r\n\u003cp\u003eThe project is in-between theoretical and applied research: while it is necessary to contextualize the changes introduced by automation into a broader history of photography and visual culture, as well as into a theoretical reflection on the automated image, it is also essential to produce a tangible and factual understanding of their technical and aesthetic challenges. By combining an analytical and theoretical approach with a reflection resulting from the practical confrontation with these technical devices, the project aims to take advantage of the crossroads of these different fields. The synthesis is based on a practical approach (by applying these technologies), an aesthetic approach (by analyzing the visual qualities of these devices and their creative potential) and a theoretical approach (by placing the practical results in a cultural, social and political context). \u003c\/p\u003e","brand":"Morel Media Ltd","offers":[{"title":"Default Title","offer_id":50555592933433,"sku":"210000002357","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/screen-shot-2023-06-06-at-123619-pm.png?v=1790279329"},{"product_id":"lucy-lippard-mixed-blessings-new-art-in-a-multicultural-america","title":"Lucy Lippard: Mixed Blessings: New Art in a Multicultural America","description":"\u003cp\u003eIn America today there is a little-known explosion of creative art by women and men from many different ethnic backgrounds. \u003cem\u003eMixed Blessings\u003c\/em\u003e is the first book to discuss the crosscultural process taking place in the work of Latino, Native-, African-, and Asian-American artists. Rich with illustrations of artworks in many different mediums, and filled with incisive quotes and unsettling reports, it is more than a book about art, it is a complex meditation on the relationships of people to their cultures.\u003cbr\u003e\u003cbr\u003eLucy R. Lippard, one of our most original and insightful writers on art, challenges conventional approaches and explores the role of images in a changing society. Among her subjects are the uncertainty of exile; the confusion of identity in attempts to climb out of the melting pot; and art that speaks for itself, reversing stereotypes and reclaiming history and memory. \u003cem\u003eMixed Blessings\u003c\/em\u003e is a book that will affect how we think of ourselves and each other.\u003c\/p\u003e","brand":"Ingram Publisher Services (Consortium, New Press)","offers":[{"title":"Default Title","offer_id":50555604729913,"sku":"210000002480","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/91tpmkytagl.jpg?v=1790279386"},{"product_id":"marianne-hirsch-the-generation-of-postmemory","title":"Marianne Hirsch: The Generation of Postmemory","description":"\u003cp\u003eCan we remember other people's memories? \u003ci\u003eThe Generation of Postmemory\u003c\/i\u003e argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories—multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large.\u003cbr\u003e\u003cbr\u003eIn these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.\u003c\/p\u003e","brand":"Columbia University Press","offers":[{"title":"Default Title","offer_id":50555607613497,"sku":"210000002504","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/memory.jpg?v=1790279401"},{"product_id":"art-for-the-future-artists-call-and-central-american-solidarities","title":"Art for the Future: Artists Call and Central American Solidarities","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eA collective history of the 1980s anti-imperialist campaign\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn the early 1980s, a group of artists, writers and activists came together in New York City to form Artists Call Against US Intervention in Central America, a creative campaign that mobilized nationwide in an effort to bring attention to the US government’s violent involvement in Latin American nations such as Nicaragua and El Salvador. Together the group staged over 200 exhibitions, concerts and other public events in a single year, raising awareness and funds for those disenfranchised by such political crises.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eArt for the Future\u003c\/span\u003e\u003c\/em\u003e illuminates the history of Artists Call with archival pieces and newly commissioned work in the spirit of the group’s message. In Spanish and English, a wide selection of artists and organizers examine the group’s history as well as the issues that were as urgent to Artists Call in 1984 as they are now: decolonization, Indigeneity, collectivity, human rights and self-determination.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eArtists include\u003c\/span\u003e:\u003c\/strong\u003e Antena Aire, Benvenuto Chavajay, Leon Golub, Hans Haacke, Fredman Barahona \u0026amp; Christian Dietkus Lord, Sandra Monterroso, Carlos Motta, Claes Oldenburg, Gregory Sholette and Coosje van Bruggen, Maria Thereza Alves, Sabra Moore, Jerri Allyn, Dona Ann McAdams, Rudolf Baranik, Susan Meiselas, Alfredo Jaar, Martha Rosler, Jesús Romeo Galdámez and Jimmie Durham.\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555607842873,"sku":"210000002505","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/612nnbdirel.jpg?v=1790279402"},{"product_id":"great-women-artists","title":"Great Women Artists","description":"\u003cp\u003e\u003cstrong\u003e\"Real changes are upon us, and today one can reel off the names of a number of first-rate women artists. 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This essential volume reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices.\u003c\/p\u003e","brand":"Hachette Book Group (Phaidon)","offers":[{"title":"Default Title","offer_id":50555615739961,"sku":"210000002581","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61dmc4f2zsl-sl1500.jpg?v=1790279444"},{"product_id":"contact-zones","title":"Contact Zones","description":"\u003cp\u003eSince the mid-nineteenth century photography has had a central place in cultural encounters within and between migrant communities. Migrant histories have been mediated through the photographic image, and the cultural practices of photography have themselves been transformed as migrant communities mobilise the photographic image to navigate experiences of cultural dislocation and the forging of new identities. Exploring photographic images and the cultural practices of photography as 'contact zones' through which cultural exchange and transformation takes place, this volume addresses the role of photography in migrant histories in the United States from the mid-nineteenth century to today. Taking as its focal point photography's role in shaping migrant experiences of cultural transformation, and in turn how migrant experiences have re-configured culturally differentiated practices of photography, case studies on migration from Europe, Central America, and North America position photography as entwined with cultural histories of migration and cultural transformation in the United States.\u003c\/p\u003e","brand":"Cornell University Press","offers":[{"title":"Default Title","offer_id":50555619213369,"sku":"210000002603","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/annotation-2023-11-10-150608.jpg?v=1790279461"},{"product_id":"sarah-watling-tomorrow-perhaps-the-future","title":"Sarah Watling: Tomorrow Perhaps the Future","description":"\u003cdiv id=\"mobile-about-the-book\"\u003e\r\n\u003cdiv id=\"seemore-0\" class=\"slot product-about 9780593319666 isbn-related seemoreenable show opened\"\u003e\r\n\u003csection class=\"overview\"\u003e\r\n\u003cp\u003e\u003cstrong\u003e“Now, as certainly as never before, we are determined or compelled, to take sides.” —Nancy Cunard\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAn attempted insurrection, a country divided, a democracy threatened. It was the Spanish Civil War of 1936, surprisingly, that Sarah Watling found herself drawn to when confounded by the tumultuous politics of our present day. This was a conflict that galvanized tens of thousands of volunteers from around the world to join the fight. For them, the choice seemed clear: either you were for fascism or you were against it.\u003cbr\u003e\u003cbr\u003eSeeking to understand how they knew that the moment to act had arrived, Watling sifts through archives for lost journals, letters, and manifestos, discovering a trove of work by writers and outsiders who had often been relegated to the shadows of famous men like Ernest Hemingway and George Orwell. She encounters the rookie journalist Martha Gellhorn coming into her own in Spain and the radical writer Josephine Herbst questioning her political allegiances. She finds the novelist Sylvia Townsend Warner embracing a freedom in Barcelona that was impossible for queer women back at home in England and, by contrast, Virginia Woolf struggling to keep the war out of her life, honing her intellectual position as she did so. She tracks down the stories of Gerda Taro, a Jewish photographer whose work had long been misattributed, and Salaria Kea, a nurse from Harlem who saw the war as a chance to combat the prejudice she experienced as a woman of color. Here were individuals seizing an opportunity to oppose the forces that frightened them.\u003cbr\u003e\u003cbr\u003eFrom a variety of backgrounds and beliefs, these women saw history coming, and they went out to meet it. Yet the reality was far from simple. When does tolerance become apathy? Where is the line between solidarity and appropriation? Is writing about the revolution the same as actively participating in it? 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