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Italy occupied a central place in Leonard Freed’s photographic practice for decades. Produced over numerous visits throughout the postwar period, The Italians brings together photographs of everyday life, public gatherings, religious celebrations, family relationships, and street scenes observed across the country.
Freed’s photographs are marked by a close attention to people and to the social spaces they inhabit. Moving between intimate moments and collective rituals, the work traces the textures of daily life during a period of significant cultural and economic change in Italy.
First published in 1978, The Italians remains one of Freed’s best-known books and an enduring example of his humanist approach to documentary photography.
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