{"title":"Bio\/Critical\/Essays","description":"","products":[{"product_id":"susan-sontag-on-photography","title":"Susan Sontag: On Photography","description":"\u003cp\u003e\u003cstrong\u003eWinner of the National Book Critics Circle Award for Criticism\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eA new edition of Susan Sontag’s groundbreaking critique of photography—its problems, politics, and possibilities.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“To photograph is to appropriate the thing photographed,” Sontag writes in the opening pages of \u003cem\u003eOn Photography\u003c\/em\u003e, which went on to influence generations of theorists, film critics, and readers everywhere. Originally published in the 1970s, her groundbreaking collection remains uncannily prescient and profoundly precise.\u003cbr\u003e\u003cbr\u003eWith her singular searching eye, and her refusal to buckle under received wisdom, she presents a rousing critique of the functions of imagery—to seduce, to advertise, to evoke, to commemorate, to conspire, to conceal—across six essays. The result is a damning portrait of the ways we use imagery to manufacture reality and authority that feels as if it were written today.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePaperback; English; 224 pages\u003c\/li\u003e\r\n\u003cli\u003ePublication Date: August 2001\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 5.5 x 8.3 x 0.6 inches (W x L x D)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Ingram Content Group - Mixed Vendors","offers":[{"title":"Default Title","offer_id":50555401240633,"sku":"210000000130","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/9781250374745.png?v=1790278324"},{"product_id":"question-bridge-black-males-in-america","title":"Question Bridge: Black Males in America","description":"\u003cp\u003eEdited by Deborah Willis and Natasha L. Logan\u003cbr\u003eIntroduction by Ambassador Andrew Young\u003cbr\u003ePreface by Jesse Williams\u003cbr\u003eText by Chris Johnson, Delroy Lindo, Bayeté Ross Smith, Rashid Shabazz, Kamal Sinclair, Hank Willis Thomas\u003c\/p\u003e\r\n\u003cp\u003eCo-published with the Campaign for Black Male Achievement\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eQuestion Bridge: Black Males in America\u003c\/em\u003e assembles a series of questions posed to black men, by and for other black men, along with the corresponding responses and portraits of the participants. The questions range from the comic to the sublimely philosophical: from “Am I the only one who has problems eating chicken, watermelon, and bananas in front of white people?” to “Why is it so difficult for black American men in this culture to be themselves, their essential selves, and remain who they truly are?” The answers tackle the issues that continue to surround black male identity today in a uniquely honest, no-holds-barred manner. While the ostensible subject is black men, the conversation that evolves in these pages is ultimately about the nature of living in a post-Obama, post-Ferguson, post–Voting Rights Act America. \u003cem\u003eQuestion Bridge: Black Males in America\u003c\/em\u003e is about who we are and what we mean to one another. Most critically, it asks: how can we start to dismantle the myths and misconceptions that have evolved around race and gender in America—how can we reset the narrative about ourselves?\u003c\/p\u003e\r\n\u003cp\u003eThe project's founding artists, along with contributions from Ambassador Andrew Young, Jesse Williams, Rashid Shabazz, and Delroy Lindo, will introduce and contextualize the body of the work and provide closing remarks on our current and future social climate.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePaperback; English; 268 pages\u003c\/li\u003e\r\n\u003cli\u003ePublication Date: October 2015\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 6.8 x 7.9 x 0.9 inches (W x L x D)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555402682425,"sku":"210000000147","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/question-bridge.jpg?v=1790278331"},{"product_id":"in-our-own-image-pb-by-fred-ritchin-2010-ed","title":"In Our Own Image PB by Fred Ritchin, 2010 Ed.","description":"\u003cp\u003eBy Fred Ritchin\u003c\/p\u003e\r\n\u003cp\u003eTwenty years ago, before the era of digital cameras, cell phones and the internet, Fred Ritchin outlined many of the ways in which the digital age would transform society. \"In Our Own Image\" was the first book to address the coming revolution in photography, and asked pointed questions that are increasingly relevant today, including whether democracy can survive the media's facile use of digital means. By the time a second edition was published in 1999, many of Ritchin's predictions had come true. Computer embellishment of imagery had become a staple in the media and had significantly diminished photography's role as a credible witness: \"Newsday\" had published the first \"future\" news photograph of two feuding ice skaters as they would meet the next day, and on its cover, \"Time\" magazine darkened and blurred an image of O.J. Simpson in order to lift \"a common police mug shot to the level of art, with no sacrifice to truth.\" Now Aperture reissues this seminal text, which has continued to shape the debate about digital imaging since its initial publication. This twentieth-anniversary edition features a preface by the author that contextualizes the book for a contemporary audience.\u003c\/p\u003e\r\n\u003cp\u003eFred Ritchin is Professor of Photography and Imaging at New York University's Tisch School of the Arts. He was picture editor of \"The New York Times Magazine\" (1978-82) and the founding director of the Photojournalism and Documentary Photography Program at the International Center of Photography (1983-86). Ritchin is the author of \"After Photography\" (2009), as well as numerous essays and the blog afterphotography.org.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e• Paperback; English; 142 pages\u003c\/p\u003e\r\n\u003cp\u003e• Publisher: Aperture  \/  Pub Date: December 2010\u003c\/p\u003e\r\n\u003cp\u003e• Dimensions: 6.6 x 9.2 x 0.45 inches (W x L x D)\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555403862073,"sku":"210000000163","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/in-our-own-image.jpg?v=1790278337"},{"product_id":"the-social-photo-on-photography-and-social-media-by-nathan-jurgenson","title":"The Social Photo: On Photography and Social Media by Nathan Jurgenson","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003e\"Mr. Jurgenson makes a first sortie toward a new understanding of the photograph, wherein artistry or documentary intent have given way to communication and circulation. Like Susan Sontag’s \u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eOn Photography\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e, to which it self-consciously responds, \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe Social Photo\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"a-text-bold\"\u003e is slim, hard-bitten and picture-free.\" – \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eNew York Times\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cstrong\u003eA set of bold theoretical reflections on how the social photo has remade our world.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eWith the rise of the smart phone and social media, cameras have become ubiquitous, infiltrating nearly every aspect of social life. The glowing camera screen is the lens through which many of us seek to communicate our experience. But our thinking about photography has been slow to catch-up; this major fixture of everyday life is still often treated in the terms of art or journalism. \u003cbr\u003e\u003cbr\u003eIn \u003cspan class=\"a-text-italic\"\u003eThe Social Photo\u003c\/span\u003e, social theorist Nathan Jurgenson develops bold new ways of understanding photography in the age of social media and the new kinds of images that have emerged: the selfie, the faux-vintage photo, the self-destructing image, the food photo. Jurgenson shows how these devices and platforms have remade the world and our understanding of ourselves within it.\u003c\/p\u003e","brand":"Penguin Random House LLC","offers":[{"title":"Default Title","offer_id":50555424211001,"sku":"210000000510","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71rqbmpeyjl-sl1500.jpg?v=1790278444"},{"product_id":"charlotte-cotton-public-private-secret-on-photography-the-configuration-of-self","title":"Charlotte Cotton: Public, Private, Secret On Photography \u0026 the Configuration of Self","description":"\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003ePublic, Private, Secret\u003c\/span\u003e explores the roles that photography and video play in the crafting of identity, and the reconfiguration of social conventions that de ne our public and private selves. Consciously framed by our present era, this collection of essays, interviews, and reflections assesses how our image-making and consumption patterns are embedded and implicated in a wider matrix of online behavior and social codes, which in turn give images a life of their own. Within this context, our visual creations and online activities blur and remove conventional delineations between public and private (and sometimes secret) expression; in fact, they multiply and expand the number of potential selves in the contemporary image-centric world. The writings address the various disruptions, resistances, and subversions that artists propose to the limited versions of race, gender, sexuality, and autonomy that populate mainstream popular culture. In so doing, they anticipate a future for our image-world rich with diversity and alterity, one that can be shaped and influenced by the agency of self- representation.\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555429257273,"sku":"210000000585","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61i3u7971ul.jpg?v=1790278472"},{"product_id":"lacuna-park-essays-and-other-adventures-in-photography-by-nicholas-muellner","title":"Lacuna Park: Essays and Other Adventures in Photography by Nicholas Muellner","description":"\u003cp\u003eBy Nicholas Muellner\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSigmund Freud famously declared that 'every dream will reveal itself as a psychological structure, full of significance.' For Nicholas Muellner, the same could be said of every photograph. From his unique perspective as a writer\/photographer, Muellner functions as both analyst and patient in this deep dive into the significance of pictures.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e–Alec Soth\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\"A quite brilliant book. I devoured Nicholas Muellner’s exquisite writing and perfectly constructed stream of bright consciousness in one sitting. It is a very generous book (it is an adventure) and I suspect that every reader will appreciate the open, personal, poetic and erudite call that Muellner gives to think through the meaning of photography at this juncture in history.\" –Charlotte Cotton\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eLacuna Park\u003c\/em\u003e is a collection of written and visual essays by the influential American photographer, writer and curator Nicholas Muellner, best known for his photobooks \u003cem\u003eThe Amnesia Pavilions\u003c\/em\u003e (named one of Time magazine's best photobooks of 2011) and \u003cem\u003eIn Most Tides an Island\u003c\/em\u003e.\u003c\/p\u003e\r\n\u003cp\u003eThe essays gathered here intertwine personal accounts, historical and contemporary criticism, fictional narrative and philosophical inquiry to ask: what is existentially at stake in the making and viewing of photographs?\u003c\/p\u003e\r\n\u003cp\u003eCreated between 2009 and 2019, these writings reflect a decade of epochal shifts in the technologies and contexts of image-making: the growth of smartphones and the ascendance of social media, and the resulting transformations in visual and social culture. This innovative collection traces that historical evolution in image-making through Muellner’s idiosyncratically emotional, humorous and melancholic visual and textual modes. Above all, in these critical and philosophical works, Muellner never abandons the position of the photographer: that person who marks their place in the world―as lover, citizen, artist and witness―by the optical device they hold in their hands.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eLacuna Park\u003c\/em\u003e contains all of Muellner’s writings on photography. In addition to five new and previously unpublished essays, the collection includes selections published in now out-of-print and hard-to-find works, including a complete reprint of Muellner’s 2009 book \u003cem\u003eThe Photograph Commands Indifference\u003c\/em\u003e.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e• Paperback; English; 226 pages\u003c\/p\u003e\r\n\u003cp\u003e• Publisher: SPBH Editions  \/  Pub Date: September 2019\u003c\/p\u003e\r\n\u003cp\u003e• Dimensions: 5.1 x 7.7 x 0.7 inches (W x L x D)\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":50555453046841,"sku":"210000000773","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/lacuna-park.jpg?v=1790278569"},{"product_id":"jason-fulford-photo-no-nos","title":"Jason Fulford: Photo No-Nos","description":"\u003cp\u003eBy Jason Fulford\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAt turns humorous and absurd, heartfelt and searching, Photo No-Nos is for photographers of all levels wishing to avoid easy metaphors and to sharpen their visual communication skills.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003ePhotographers often have unwritten lists of subjects they tell themselves not to shoot—things that are cliché, exploitative, derivative, sometimes even arbitrary. \u003cem\u003ePhoto No-Nos\u003c\/em\u003e features ideas, stories, and anecdotes from many of the world’s most talented photographers and photography professionals, along with an encyclopedic list of more than a thousand taboo subjects compiled from and with pictures by contributors. Not a strict guide, but a series of meditations on “bad” pictures, \u003cem\u003ePhoto No-Nos\u003c\/em\u003e covers a wide range of topics, from sunsets and roses to issues of colonialism, stereotypes, and social responsibility. At a time when societies are reckoning with what and how to communicate through media and who has the right to do so, this book is a timely and thoughtful resource on what photographers consider to be off-limits, and how they have contended with their own self-imposed rules without being paralyzed by them.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e• Paperback; English; 320 pages\u003c\/p\u003e\r\n\u003cp\u003e• Publisher: Aperture  \/  Pub Date: July 2021\u003c\/p\u003e\r\n\u003cp\u003e• Dimensions: 6 x 9 inches (W x L)\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555491254329,"sku":"210000001124","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/photo-no-nos.jpg?v=1790278805"},{"product_id":"the-lives-of-images-vol-2-analogy-attunement-and-attention-by-stanley-wolukau-wanambwa","title":"The Lives of Images, Vol. 2: Analogy, Attunement, and Attention by Stanley Wolukau-Wanambwa","description":"\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eAvailable for pre-order. All online purchases made before October 31 will receive a separate email with access link to the second symposium, which is held virtually in November 2021.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBy Stanley Wolukau-Wanambwa\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cem\u003eThe Lives of Images\u003c\/em\u003e, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wide set of cultural practices.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eVolume II of this series, \u003cem\u003eAnalogy, Attunement, and Attention\u003c\/em\u003e, brings together a uniquely contemporary and diverse set of voices to address the complex sets of relationships that the photograph creates between its viewers and their bodies, minds, and sense of the physical and metaphysical world. This selection of essays addresses the historical trajectory of theories of the image, from the late-eighteenth-century “proto-photograph” to the wake of television’s invention and the present moment of socially mediated Internet art. \u003cem\u003eAnalogy, Attunement, and Attention\u003c\/em\u003e examines our changing relationship to space and selfhood as mediated by the lens, the print, the screen, the computer, and the multitude of networked technologies built around the image. In this accessible and timely reader, the question of how image technologies provide us with an array of freedoms is combined with and read against incisive critiques of how they register, reorient, repress, or reduce our field of vision, and thus affect our ability or willingness to act in social space.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• Paperback; English; 256 pages\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• Publisher: Aperture  \/  Pub Date: October 26, 2021\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• Dimensions: 4.75 x 7 inches (W x L)\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":50555491811385,"sku":"210000001128","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/the-lives-of-images-vol-2.jpg?v=1790278808"},{"product_id":"david-campany-a-handful-of-dust-second-edition","title":"David Campany: a Handful of Dust (Second Edition)","description":"\u003cp\u003e\u003cem\u003ea Handful of Dust\u003c\/em\u003e is David Campany’s speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Let’s suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called it a view from an aeroplane. Then they called it Dust Breeding. It’s abstract, it’s realist. It’s an artwork, it’s a document. It’s revolting and compelling. Cameras must be kept away from dust but they find it highly photogenic. At the same time, a little English journal publishes TS Eliot’s poem \u003cem\u003eThe Waste Land.\u003c\/em\u003e “I will show you fear in a handful of dust.”\u003c\/p\u003e\r\n\u003cp\u003eAnd what if dust is really the key to the intervening years? Why do we dislike it? Is it cosmic? We are stardust, after all. Is it domestic? Inevitable and unruly, dust is the enemy of the modern order, its repressed other, its nemesis. But it has a story to tell from the other side.\u003c\/p\u003e\r\n\u003cp\u003eCampany’s connections range far and wide, from aerial reconnaissance and the American dustbowl to Mussolini’s final car journey and the wars in Iraq. \u003cem\u003ea Handful of Dust\u003c\/em\u003e will accompany Campany’s exhibition of the same name, curated for Le Bal, Paris (16 October 2015 – 17 January 2016), with works by Man Ray, John Divola, Sophie Ristelhueber, Mona Kuhn, Gerhard Richter, Xavier Ribas, Nick Waplington, Jeff Wall and many others, alongside anonymous press photos, postcards, magazine spreads and movies.\u003c\/p\u003e\r\n\u003cp\u003ePublished by Mack\u003cbr\u003e2017\u003cbr\u003eUK\u003cbr\u003ePaperback\u003cbr\u003e20 x 24 cm\u003cbr\u003e232 pages\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":50555497939001,"sku":"210000001239","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/41bidv5lipl.jpg?v=1790278842"},{"product_id":"moyra-davey-index-cards","title":"Moyra Davey Index Cards","description":"\u003cp\u003e\u003cstrong\u003eAn essential selection of Moyra Davey’s sly, surprising, and brilliant essays\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn these essays, the acclaimed artist, photographer, writer, and filmmaker Moyra Davey often begins with a daily encounter―with a photograph, a memory, or a passage from a book―and links that subject to others, drawing fascinating and unlikely connections, until you can almost feel the texture of her thinking. While thinking and writing, she weaves together disparate writers and artists―Mary Wollstonecraft, Jean Genet, Virginia Woolf, Janet Malcolm, Chantal Akerman, and Roland Barthes, among many others―in a way that is both elliptical and direct, clearheaded and personal, prismatic and self-examining, layering narratives to reveal the thorny but nourishing relationship between art and life.\u003c\/p\u003e","brand":"W.W. Norton \u0026 Company, Inc.","offers":[{"title":"Default Title","offer_id":50555499282489,"sku":"210000001254","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/51fpcsxwbdl.jpg?v=1790278851"},{"product_id":"lesy-snapshots-1971-77","title":"Lesy: Snapshots 1971-77","description":"\u003cp\u003eIn the summer of 1971, Michael Lesy and a friend found most of the snapshots in \u003ci\u003eSnapshots 1971–77\u003c\/i\u003e in a dumpster behind a gigantic photo-processing plant in San Francisco. The photos were in the trash because the machines that printed them made them so fast — duplicates, triplicates, quadruplicates — that the people on the processing line couldn’t stop them.\u003c\/p\u003e\r\n\u003cp\u003eWeek after week, Lesy took home thousands of snapshots from the dumpster. He studied them as if they were archeological evidence. By the end of the summer, he’d formed his own collection of images of American life.\u003c\/p\u003e\r\n\u003cp\u003eHe took that collection with him when he returned to Wisconsin to finish his graduate work in American history. His understanding of the snapshots from California as reflections of the troubled state of American society influenced the PhD research he was doing in Wisconsin — research that became the American classic \u003ci\u003eWisconsin Death Trip\u003c\/i\u003e (1973).\u003c\/p\u003e\r\n\u003cp\u003eOver the next six years, Lesy added to his collection of California snapshots with hundreds of snapshots that had been left unclaimed and then discarded by a photo processor in Cleveland. While Lesy looked through other people’s lives in pictures, the world was coming apart at the seams. The Vietnam War, the murderous rampage of the Manson Family, and the Attica State Prison uprising filled news headlines — and the general public carried on their lives, with hope and abandon and everything in between: chaos, cruelty, familial bonds and breaks, materialism, lawlessness, unwitting humor.\u003c\/p\u003e\r\n\u003cp\u003eLesy’s collection of snapshots from the 1970s is a time capsule of things familiar and alien. Now, fifty years later, everything and nothing about our lives has changed.\u003c\/p\u003e\r\n\u003cp\u003eIn \u003ci\u003eWisconsin Death Trip\u003c\/i\u003e Lesy pulled back the curtain of “the good old days” to reveal the stark reality of American life from 1890 to 1910. The anonymous images in \u003ci\u003eSnapshots 1971–77\u003c\/i\u003e serve as prophesies of present-day broken dreams, toils, and tribulations.\u003c\/p\u003e","brand":"Ingram Content Group -PGW\/UNM","offers":[{"title":"Default Title","offer_id":50555504754745,"sku":"210000001534","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/81vmbhlweyl.jpg?v=1790278880"},{"product_id":"vince-aletti-the-drawer","title":"Vince Aletti: The Drawer","description":"\u003cp\u003e\u003cstrong\u003eWinner of the Paris Photo PhotoBook of the Year Award, 2023\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eAmerican critic and curator Vince Aletti has been collecting photographs printed on the pages of magazines and books since the 1970s. For the very first time the hundreds of tearsheets, newspaper clippings, gallery announcements, and other ephemera stacked in a drawer of an antique flat file in his East Village apartment have been documented in the new book \u003cem\u003eThe Drawer\u003c\/em\u003e. The seventy-five multi-layered compositions created by Aletti are a celebration of the beauty of photography and the printed page, as well as testimony of the author's unique ability to voice the complexity and variety of desire, personal and collective histories, and the power of art to reflect and shape who we are.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003ePerfect bound softcover with dust jacket\u003cbr\u003e28 x 37.7cm, 144 pages\u003cbr\u003e\u003cbr\u003ePublished by Mack Books\u003cbr\u003eSeptember 2022\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":50555559116857,"sku":"210000002004","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/thedrawer-1cda17eb-d77d-4051-a8d1-ce1375f5af5d.webp?v=1790279126"},{"product_id":"52-artists-a-feminist-milestone","title":"52 Artists: A Feminist Milestone","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eThe definitive account of Lucy Lippard’s pioneering 1971 feminist art exhibition, with work from a new generation of artists alongside the original participants\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThis volume celebrates the 51st anniversary of the historic 1971 exhibition \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eTwenty Six Contemporary Women Artists\u003c\/span\u003e\u003c\/em\u003e, curated by Lucy R. Lippard and presented at the Aldrich Contemporary Art Museum. It showcases work by the artists included in the original 1971 exhibition, alongside a new roster of 26 female-identifying or nonbinary emerging artists, tracking the evolution of feminist art practices over the past five decades.\u003cbr\u003eThis significant volume includes new essays by Lippard, Amy Smith-Stewart and Alexandra Schwartz, as well as rare historical documentation of the original exhibition, images, installation views and checklists from both the 1971 and 2022 shows.\u003cbr\u003eAmong the artists whose work was presented in the original 1971 exhibition are Cecile Abish, Alice Aycock, Cynthia Carlson, Susan Hall, Mary Heilmann, Audrey Hemenway, Laurace James, Mablen Jones, Carol Kinne, Christine Kozlov, Brenda Miller, Mary Miss, Dona Nelson, Shirley Pettibone, Howardena Pindell, Adrian Piper, Sylvia Plimack Mangold, Reeva Potoff, Paula Tavins, Merrill Wagner, Grace Bakst Wapner, Jackie Winsor and Barbara Zucker. (All but three of the original 26 artists are included in \u003cspan class=\"a-text-italic\"\u003e52 Artists\u003c\/span\u003e.)\u003cbr\u003eThe new generation of artists included are Leilah Babirye, Phoebe Berglund, LaKela Brown, Lea Cetera, Susan Chen, Pamela Council, Lizania Cruz, Amaryllis DeJesus Moleski, Florencia Escudero, Alanna Fields, Emilie L. Gossiaux, Ilana Harris-Babou, Loie Hollowell, Maryam Hoseini, Hannah Levy, Catalina Ouyang, Anna Park, Erin M. Riley, LJ Roberts, Aya Rodriguez-Izumi, Aliza Shvarts, Astrid Terrazas, Tourmaline, Rachel Eulena Williams, Kiyan Williams and Stella Zhong.\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555562459193,"sku":"210000002034","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71xmdazx86l.jpg?v=1790279145"},{"product_id":"jarrett-earnest-what-it-means-to-write-about-art","title":"Jarrett Earnest: What It Means To Write About Art","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eThe most comprehensive portrait of art criticism ever assembled, as told by the leading writers of our time. \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIn the last fifty years, art criticism has flourished as never before. Moving from niche to mainstream, it is now widely taught at universities, practiced in newspapers, magazines, and online, and has become the subject of debate by readers, writers, and artists worldwide.\u003cbr\u003e\u003cbr\u003eEqual parts oral history and analysis of craft, \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eWhat It Means to Write About Art\u003c\/span\u003e\u003c\/em\u003e offers an unprecedented overview of American art writing. These thirty in-depth conversations chart the role of the critic as it has evolved from the 1960s to today, providing an invaluable resource for aspiring artists and writers alike. John Ashbery recalls finding Rimbaud’s poetry through his first gay crush at sixteen; Rosalind Krauss remembers stealing the design of October from Massimo Vignelli; Paul Chaat Smith details his early days with Jimmy Durham in the American Indian Movement; Dave Hickey talks about writing country songs with Waylon Jennings; Michele Wallace relives her late-night and early-morning interviews with James Baldwin; Lucy Lippard describes confronting Clement Greenberg at a lecture; Eileen Myles asserts her belief that her negative review incited the Women’s Action Coalition; and Fred Moten recounts falling in love with Renoir while at Harvard.\u003cbr\u003e\u003cbr\u003eJarrett Earnest’s wide-ranging conversations with critics, historians, journalists, novelists, poets, and theorists—each of whom approach the subject from unique positions—illustrate different ways of writing, thinking, and looking at art.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eInterviews with\u003c\/span\u003e\u003c\/strong\u003e Hilton Als, John Ashbery, Bill Berkson, Yve-Alain Bois, Huey Copeland, Holland Cotter, Douglas Crimp, Darby English, Hal Foster, Michael Fried, Thyrza Nichols Goodeve, Dave Hickey, Siri Hustvedt, Kellie Jones, Chris Kraus, Rosalind Krauss, Lucy Lippard, Fred Moten, Eileen Myles, Molly Nesbit, Jed Perl, Barbara Rose, Jerry Saltz, Peter Schjeldahl, Barry Schwabsky, Paul Chaat Smith, Roberta Smith, Lynne Tillman, Michele Wallace, and John Yau. \u003c\/p\u003e","brand":"Simon \u0026 Schuster Inc.","offers":[{"title":"Default Title","offer_id":50555562917945,"sku":"210000002045","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/51pe-8mythl.jpg?v=1790279149"},{"product_id":"hua-hsu-stay-true","title":"Hua Hsu: Stay True","description":"\u003cp\u003eIn the eyes of eighteen-year-old Hua Hsu, the problem with Ken—with his passion for Dave Matthews, Abercrombie \u0026amp; Fitch, and his fraternity—is that he is \u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eexactly\u003c\/em\u003e \u003c\/span\u003elike everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, the son of Taiwanese immigrants, who makes ’zines and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn’t seem to have a place for either of them.\u003cbr\u003e\u003cbr\u003eBut despite his first impressions, Hua and Ken become friends, a friendship built on late-night conversations over cigarettes, long drives along the California coast, and the successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet.\u003cbr\u003e\u003cbr\u003eDetermined to hold on to all that was left of one of his closest friends—his memories—Hua turned to writing. \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eStay True\u003c\/span\u003e\u003c\/em\u003e is the book he’s been working on ever since. A coming-of-age story that details both the ordinary and extraordinary, \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eStay True\u003c\/span\u003e\u003c\/em\u003e is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging.\u003c\/p\u003e","brand":"Penguin Random House LLC","offers":[{"title":"Default Title","offer_id":50555577827385,"sku":"210000002188","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71f5iex-jll.jpg?v=1790279222"},{"product_id":"nina-rosenblum-lisa-rosenblum-a-humanist-vision-the-naomi-rosenblum-family-collection","title":"Nina Rosenblum \u0026 Lisa Rosenblum: A Humanist Vision - The Naomi Rosenblum Family Collection","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eThe first publication of the remarkable personal collection of eminent photographic historian Naomi Rosenblum\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eNaomi Rosenblum (1925–2021) was the leading historian of photography in her lifetime. Her two major books, \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eA World History of Photography\u003c\/span\u003e\u003c\/em\u003e and \u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eA History of Women Photographers\u003c\/em\u003e,\u003c\/span\u003e furthered the recognition of photography as a central art form of the twentieth century, and one in which women played a critical role. Rosenblum’s deep knowledge and remarkable eye are evident in the collection of photography that she and her family built in her lifetime.\u003c\/p\u003e\r\n\u003cp\u003eThis beautifully designed volume, conceived by Naomi and her daughters, Nina and Lisa, marks the first publication of the family’s exceptional collection, which is focused on work that combines aesthetic considerations with humanist values. The photographers represented range from pioneers like Alfred Stieglitz, Margaret Bourke-White, Dorothea Lange, Lewis Hine, Paul Strand (the subject of Naomi Rosenblum’s doctoral dissertation),and her husband, Walter Rosenblum, to acclaimed contemporary practitioners including Mary Ellen Mark, Ming Smith, and Sebastiao Salgado. The collection is intergenerational and also includes important examples of twentieth-century sculpture by such artists as Lynn Chadwick and Barry Flanagan.\u003c\/p\u003e\r\n\u003cp\u003eEssays by several distinguished contributors―including artist and scholar Deborah Willis; curator Barbara Tannenbaum; Milan-based curator and writer Enrica Vigano; and editor and writer Diana C. Stoll―celebrate and elucidate Naomi Rosenblum’s life and career. \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eA Humanist Vision\u003c\/span\u003e\u003c\/em\u003e is both a fitting tribute to a path breaking scholar and a contribution to the photographic literature in its own right.\u003c\/p\u003e","brand":"W.W. Norton \u0026 Company, Inc.","offers":[{"title":"Default Title","offer_id":50555582906425,"sku":"210000002237","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/2a04c2c0-36c1-4142-883d-4346d23d34f9.jpg?v=1790279263"},{"product_id":"kristine-stiles-peter-selz-theories-and-documents-of-contemporary-art","title":"Kristine Stiles \u0026 Peter Selz: Theories and Documents of Contemporary Art","description":"\u003cp\u003eFirst published in 1996, this irreplaceable resource has now been updated, revised, and expanded by Kristine Stiles to represent thirty countries and more than one hundred new artists. Stiles has added forty images and a diverse roster of artists, including many who have emerged since the 1980s, such as Julie Mehretu, Carrie Mae Weems, Damien Hirst, Shirin Neshat, Cai Guo-Qian, Olafur Eliasson, Matthew Barney, and Takashi Murakami. The writings, which as before take the form of artists' statements, interviews, and essays, make vivid each artist's aesthetic approach and capture the flavor and intent of his or her work. The internationalism evident in this revised edition reflects the growing interest in the vitality of contemporary art throughout the world from the U.S. and Europe to the Middle East, Asia, Africa, Latin America, and Australia.\u003c\/p\u003e","brand":"Ingram - University of California Press","offers":[{"title":"Default Title","offer_id":50555583889465,"sku":"210000002250","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/713hsxkvprl.jpg?v=1790279272"},{"product_id":"herve-guibert-the-mausoleum-of-lovers","title":"Herve Guibert: The Mausoleum of Lovers","description":"\u003cp\u003eThe Mausoleum of Lovers comprises Guibert’s journals, kept from 1976–1991. Functioning as an atelier, it forecasts the writing of a novel, which does not materialize as such; the journal itself ― a mausoleum of lovers ― comes to take its place. The sensual exigencies and untempered forms of address in this epistolary work, often compared to Barthes’ A Lover’s Discourse, use the letter and the photograph in a work that hovers between forms, in anticipation of its own disintegration.\u003c\/p\u003e","brand":"Ingram Publisher Services (Drago)","offers":[{"title":"Default Title","offer_id":50555587625017,"sku":"210000002298","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/51vxrrlawcl.jpg?v=1790279299"},{"product_id":"philippa-snow-trophy-lives-on-the-celebrity-as-an-art-object","title":"Philippa Snow: Trophy Lives: On the Celebrity as an Art Object","description":"\u003cp\u003eWe know that celebrities can make great muses: think of the work of Richard Phillips, who has painted an entire series of works inspired by Lindsay Lohan, Robert Pattinson, and Miley Cyrus, or of Urs Fischer, who recently showed a life-sized candle in the shape of Leonardo DiCaprio. Notoriously, the art collector Peter Brant commissioned the wickedly satirical Italian American artist Maurizio Cattelan to make a sculpture of his wife, the supermodel Stephanie Seymour. The work was technically called \u003cem\u003eStephanie\u003c\/em\u003e, but became known in the industry as ‘Trophy Wife’. With the sculpture valued at 1.5 million dollars, while Seymour herself is purportedly worth one hundred million dollars, you might be tempted to wonder which has the claim to be the ‘better’ work of art.\u003c\/p\u003e\r\n\u003cp\u003eIn this illustrated essay, critic Philippa Snow asks whether all great, or iconic, celebrities can be considered technically self-authored artworks in and of themselves. Drawing on a wide range of cultural references from the past two decades, she proposes that increasingly – as celebrities’ private lives become more visible and thus more art-directed, and especially as plastic surgery becomes de rigueur for even the most minor public figures – celebrity itself can be a medium for contemporary art, a form of mythmaking and image-making that is every bit as complex, conceptual, and compelling as the work of a traditional artist.\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":50555600142393,"sku":"210000002442","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/51thkhnu7dl-ac-uf10001000-ql80.jpg?v=1790279365"},{"product_id":"abi-karam-gabriel-we-want-it-all-an-anthology-of-radical-trans-poetics","title":"Abi Karam Gabriel: We Want It All- An Anthology of Radical Trans Poetics","description":"\u003cp\u003eEditors Andrea Abi-Karam and Kay Gabriel offer \u003cem\u003eWe Want it All: An Anthology of Radical Trans Poetics\u003c\/em\u003e as an experiment into how far literature, written from an identitarian standpoint, can go as a fellow traveler with social movements and revolutionary demands. Writing in dialogue with emancipatory political movements, the intergenerational writers assembled here imagine an altogether overturned world in poems that pursue the particular and multiple trans relationships to desire, embodiment, housing, sex, ecology, history, pop culture, and the working day.\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555602206777,"sku":"210000002456","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/we-want-it-all-fc-300x450.jpg?v=1790279376"},{"product_id":"ian-lynam-the-impossibility-of-silence-writing-for-designers-artists-photographers","title":"Ian Lynam: The Impossibility of Silence: Writing for Designers, Artists \u0026 Photographers","description":"\u003ch3 class=\"redstrong\"\u003eHow to write about your work—an expert’s guide to the craft\u003c\/h3\u003e\r\n\u003cp\u003eIan Lynam's \u003ci\u003eThe Impossibility of Silence\u003c\/i\u003e is a book for artists, photographers and designers interested in approaching writing about their vocation and culture. Drawing upon decades of experience as a writer, designer, artist and teacher, Lynam offers up a plethora of inspirational and concrete approaches to writing about creative fields. Called \"the Hunter S. Thompson of design writing,\" Lynam uses his industry knowledge to convey his philosophy on writing specifically in a professional creative setting.\u003cbr\u003e\u003cb\u003eIan Lynam\u003c\/b\u003e (born 1972) is faculty and former co-chair at Vermont College of Fine Arts in the MFA Graphic Design program. He writes for \u003ci\u003eIdea\u003c\/i\u003e, \u003ci\u003eSlanted\u003c\/i\u003e and \u003ci\u003eModes of Criticism\u003c\/i\u003e, is a cofounder of the online journal Néojaponisme and the associated print journal \u003ci\u003eNJP\u003c\/i\u003e, runs Wordshape, a hybrid type foundry, and is one-half of Corinthians, a Tokyo-based art and design curatorial practice.\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555609514041,"sku":"210000002525","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71xd8jy9dsl-sl1500.jpg?v=1790279406"},{"product_id":"sophie-hamacher-jessica-hankey-supervision-on-motherhood-and-surveillance","title":"Sophie Hamacher, Jessica Hankey: Supervision: On Motherhood and Surveillance","description":"","brand":"Penguin Random House LLC","offers":[{"title":"Default Title","offer_id":50555614199865,"sku":"210000002568","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/annotation-2024-03-07-125154.jpg?v=1790279435"},{"product_id":"bruce-gilden-photofile","title":"Bruce Gilden Photofile","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eA new entry in Photofile, an accessible and affordable photography series\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBruce Gilden was born in 1946 and grew up in Brooklyn, New York. After taking photography classes at the School of Visual Arts, he embarked on his first major project: recording tourists and pleasure-seekers visiting Coney Island. Gilden is probably best known for his work on the streets of New York, focusing on the city's characters and outsiders, but he has also spent many years on projects devoted on projects in Haiti, Japan, and Ireland. A member of Magnum Photos since 1998, Gilden has taken the genre of street photography and pushed it in new directions, documenting the essence of the people he sees and the social landscape through which they move. 80 illustrations in color and duotone\u003c\/p\u003e","brand":"W.W. Norton \u0026 Company, Inc.","offers":[{"title":"Default Title","offer_id":50555618492473,"sku":"210000002596","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61qui9qgc0l-sl1500.jpg?v=1790279455"},{"product_id":"james-barnor-photofile","title":"James Barnor Photofile","description":"\u003cp\u003e\u003cb\u003eA concise survey of the pioneering work of London-based Ghanaian photographer James Barnor.\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"toggled description-text\"\u003e\r\n\u003cp\u003eWith a practice spanning six decades and two continents, ranging from street to studio and fashion to documentary, Ghanaian photographer James Barnor (born 1929) is now recognized as a pivotal figure in the history of photography. Moving between Accra and London throughout his life, Barnor’s photographic portraits visibly map societies in transition: Ghana gaining independence from Britain, and London embracing the freedoms of the swinging sixties. He has said, \"I was lucky to be alive when things were happening . . . when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the sixties, so I call myself Lucky Jim.\"\u003c\/p\u003e\r\n\u003cp\u003eBarnor’s photographs have been described as \"slices of history, documenting race and modernity in the post-colonial world,\" and he has been the subject of several major retrospectives over the last fifteen years. A concise survey in the \u003cem\u003ePhotofile\u003c\/em\u003e series, \u003cem\u003eJames Barnor\u003c\/em\u003e is the perfect overview of his multifaceted work.\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"W.W. Norton \u0026 Company, Inc.","offers":[{"title":"Default Title","offer_id":50555618689081,"sku":"210000002598","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/9780500297872-300.jpg?v=1790279457"},{"product_id":"transfigured-new-york","title":"Transfigured New York","description":"\u003cp\u003e\u003ci\u003eTransfigured New York\u003c\/i\u003e presents conversations with iconic, genre-bending artists who shaped the sounds of experimental movements like no wave, avant-jazz, and electronic music. As an undergrad in the 1980s, Brooke Wentz hosted the show \u003ci\u003eTransfigured Night\u003c\/i\u003e on Columbia University’s WKCR-FM, discussing art and ideas with avant-garde music luminaries. She unearths these candid interviews—heard before only when first broadcast—from cassettes and reel-to-reel tapes, letting readers today feel the excitement and creative energy of the 1980s New York underground scene.\u003cbr\u003e\u003cbr\u003eMusicians and artists, now icons of their craft, tell their stories and share their thoughts about the creative process, capturing the ambition and energy that animated their work. Legends in the making like Bill Frisell, Philip Glass, and Laurie Anderson convey what it was like to be a struggling artist in 1980s New York, when the city was alive with possibilities. Others who were well known at the time, including John Cage, La Monte Young, and Ravi Shankar, advocate for their distinctive ideas about art and open up about their creative lives.\u003cbr\u003e\u003cbr\u003eFeaturing an astonishing range of interviewees—Morton Subotnick, Joan Tower, Steve Reich, Glenn Branca, Joan La Barbara, Living Colour, Arthur Russell, John Lurie, Eric Bogosian, Bill T. Jones, and many more—\u003ci\u003eTransfigured New York\u003c\/i\u003e provides new insight into the city’s cultural landscape in this era. It is a one-of-a-kind account of one of the most exhilarating and inventive periods for art and culture in New York City’s history.\u003c\/p\u003e","brand":"Columbia University Press","offers":[{"title":"Default Title","offer_id":50555619442745,"sku":"210000002606","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/annotation-2023-11-10-151046.jpg?v=1790279463"},{"product_id":"pamela-sneed-imagine-being-more-afraid-of-freedom-than-slavery-poems","title":"Pamela Sneed: Imagine Being More Afraid of Freedom Than Slavery: Poems","description":"\u003cp\u003eFirst published in 1998, \u003ci\u003eImagine Being More Afraid of Freedom than Slavery \u003c\/i\u003eis the debut collection by acclaimed poet and performer Pamela Sneed. Provocative and potent, it tackles the political and personal issues of enslavement, sexuality, emotional trauma, and abuse. These poems chart the journey of an artist trying to escape cycles of dependency and reclaim lost self and identity. Drawing parallels to Harriet Tubman’s journey on the Underground Railroad, Sneed’s explorations of the woods are a metaphor and emotional path one must explore to attain self-ownership. Sneed’s poems are bound by the search for love, freedom, and justice—from images of lesbian love to Emmet Till’s bloated body, they offer a raging cry and a roadmap for those interested in transforming the personal into social justice and abolitionist practices.\u003c\/p\u003e","brand":"Ingram Publisher Services (Consortium, New Press)","offers":[{"title":"Default Title","offer_id":50555621408825,"sku":"210000002620","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/annotation-2023-11-16-114125.jpg?v=1790279474"},{"product_id":"love-icebox-letters-from-john-cage-to-merce-cunningham","title":"Love, Icebox: Letters from John Cage to Merce Cunningham","description":"\u003ch2 class=\"redstrong\"\u003eCage’s passionate, distraught and affectionate letters to Cunningham provide a vivid portrait of the start of their life together\u003c\/h2\u003e\r\n\u003cp\u003e\u003cb\u003eA \u003ci\u003eNew York Times\u003c\/i\u003e critics' pick | Best Art Books 2019\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThese early letters from John Cage to Merce Cunningham will be revelatory, for while the two are widely known as a dynamic, collaborative duo, the story of how and when they came together has never been fully revealed. In the 39 letters of this collection, spanning 1942–46, Cage shows himself to be a man falling deeply in love. When they first met at the Cornish School in Seattle in the 1930s, Cage was 26 to Cunningham’s 19. Their relationship was purely that of teacher and student, and Cage was also very much married.\u003cbr\u003e\u003cbr\u003eIt was in Chicago that their romantic relationship would begin. Cage was teaching at Moholy-Nagy’s School of Design when Cunningham passed through town as a dancer with the Martha Graham Company, appearing on stage on March 14, 1942. Cage’s letters, which begin in earnest a week later, are increasingly passionate, distraught, romantic and confused, and occasionally contain snippets of poetry and song. They are also more than love letters, as we see intimations that resonate with our experience of the later John Cage.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eLove, Icebox\u003c\/i\u003e takes its shape from these letters—transcribed, chronologically ordered, and in some instances reproduced in facsimile. Laura Kuhn, Cage’s assistant from 1986 to 1992 and now longtime director of the John Cage Trust, adds a foreword, afterword and running commentary. Photographic illustrations of their final 18th Street loft in New York City, as well as personal and household objects left behind, remind us of the substance and rituals of their long-shared life.\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555631108153,"sku":"210000002725","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/annotation-2024-01-24-160753.jpg?v=1790279531"},{"product_id":"let-the-record-show-a-political-history","title":"Let the Record Show: A Political History","description":"\u003cp\u003eWinner of the 2022 Lambda Literary LGBTQ Nonfiction Award and the 2022 NLGJA Excellence in Book Writing Award. Finalist for the PEN\/John Kenneth Galbriath Award for Nonfiction, the Gotham Book Prize, and the ALA Stonewall Israel Fishman Nonfiction Award. A 2021 New York Times Book Review Notable Book and a New York Times Book Review Editors' Choice. Longlisted for the 2021 Brooklyn Public Library Literary Prize.\u003c\/p\u003e\r\n\u003cp\u003eOne of NPR, New York, and The Guardian's Best Books of 2021, one of Buzzfeed's Best LGBTQ+ Books of 2021, one of Electric Literature's Favorite Nonfiction Books of 2021, one of NBC's 10 Most Notable LGBTQ Books of 2021, and one of Gay Times' Best LGBTQ Books of 2021.\u003c\/p\u003e\r\n\u003cp\u003e\"This is not reverent, definitive history. This is a tactician’s bible.\" --Parul Sehgal, The New York Times\u003c\/p\u003e\r\n\u003cp\u003eTwenty years in the making, Sarah Schulman's Let the Record Show is the most comprehensive political history ever assembled of ACT UP and American AIDS activism\u003c\/p\u003e\r\n\u003cp\u003eIn just six years, ACT UP, New York, a broad and unlikely coalition of activists from all races, genders, sexualities, and backgrounds, changed the world. Armed with rancor, desperation, intelligence, and creativity, it took on the AIDS crisis with an indefatigable, ingenious, and multifaceted attack on the corporations, institutions, governments, and individuals who stood in the way of AIDS treatment for all. They stormed the FDA and NIH in Washington, DC, and started needle exchange programs in New York; they took over Grand Central Terminal and fought to change the legal definition of AIDS to include women; they transformed the American insurance industry, weaponized art and advertising to push their agenda, and battled—and beat—The New York Times, the Catholic Church, and the pharmaceutical industry. Their activism, in its complex and intersectional power, transformed the lives of people with AIDS and the bigoted society that had abandoned them.\u003c\/p\u003e\r\n\u003cp\u003eBased on more than two hundred interviews with ACT UP members and rich with lessons for today’s activists, Let the Record Show is a revelatory exploration—and long-overdue reassessment—of the coalition’s inner workings, conflicts, achievements, and ultimate fracture. Schulman, one of the most revered queer writers and thinkers of her generation, explores the how and the why, examining, with her characteristic rigor and bite, how a group of desperate outcasts changed America forever, and in the process created a livable future for generations of people across the world.\u003c\/p\u003e","brand":"Ingram Content Group - Mixed Vendors","offers":[{"title":"Default Title","offer_id":50555631468601,"sku":"210000002730","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/record.jpg?v=1790279534"},{"product_id":"john-cage-silence-lectures-and-writings-50th-anniversary-edition","title":"John Cage: Silence - Lectures and Writings, 50th Anniversary Edition","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eSilence, A Year from Monday, M, Empty Words and X (in this order) form the five parts of a series of books in which Cage tries, as he says, \"to find a way of writing which comes from ideas, is not about them, but which produces them.\" Often these writings include mesostics and essays created by subjecting the work of other writers to chance procedures using the I Ching (what Cage called \"writing through\").\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eJohn Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: \"Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant.\" \"He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It's what's happening now.\" –The American Record Guide\u003cbr\u003e\u003cbr\u003e\"There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away.\"\u003c\/p\u003e","brand":"Ingram Content Group - Mixed Vendors","offers":[{"title":"Default Title","offer_id":50555631534137,"sku":"210000002731","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/51rogd1ppl-sl1081.jpg?v=1790279535"},{"product_id":"lucy-sante-i-heard-her-call-my-name","title":"Lucy Sante: I Heard Her Call My Name","description":"\u003cdiv id=\"mobile-about-the-book\"\u003e\r\n\u003cdiv id=\"seemore-0\" class=\"slot product-about 9780593493762 isbn-related seemoreenable show opened\"\u003e\r\n\u003csection class=\"overview\"\u003e\r\n\u003cp\u003e\u003cstrong\u003eAn iconic writer’s lapidary memoir of a life spent pursuing a dream of artistic truth while evading the truth of her own gender identity, until, finally, she turned to face who she really was\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor a long time, Lucy Sante felt unsure of her place. Born in Belgium, the only child of conservative working-class Catholic parents who transplanted their little family to the United States, she felt at home only when she moved to New York City in the early 1970s and found her people among a band of fellow bohemians. Some would die young, to drugs and AIDS, and some would become jarringly famous. Sante flirted with both fates, on her way to building an estimable career as a writer. But she still felt like her life a performance. She was presenting a façade, even to herself.\u003cbr\u003e\u003cbr\u003eSante’s memoir braids together two threads of personal narrative: the arc of her life, and her recent step-by-step transition to a place of inner and outer alignment. Sante brings a loving irony to her account of her unsteady first steps; there was much she found she still needed to learn about being a woman after some sixty years cloaked in a man’s identity, in a man’s world. A marvel of grace and empathy, \u003cem\u003eI Heard Her Call My Name\u003c\/em\u003e parses with great sensitivity many issues that touch our lives deeply, of gender identity and far beyond.\u003c\/p\u003e\r\n\u003c\/section\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Penguin Random House LLC","offers":[{"title":"Default Title","offer_id":50555634090041,"sku":"210000002769","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/annotation-2024-02-09-115415.jpg?v=1790279553"},{"product_id":"catherine-taylor-image-text-music","title":"Catherine Taylor: Image Text Music","description":"\u003cp class=\"p2\"\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eImage Text Music\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e by writer and editor Catherine Taylor is a series of textual and photographic essays that explore our encounters with the place where the visual meets the verbal. Taylor riffs on and subverts Roland Barthes’ classic 1977 essay collection, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eImage Music Text\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, using his title as playful points of departure for her thinking about the nature of image-text works and the music that might be made at their intersection.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThese meditative and analytical essays pose vital questions about the psychological and political possibilities for image-text works. Taylor rejects overarching statements about medium or genre in favour of observations of the particular to reveal broader ways of reading that are at once familiar and disorientating.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe reflections in \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eImage Text Music\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e are at once critical and celebratory, dystopian and utopian, investigative and contemplative, didactic and dreamlike. They are visions of visions of the world that ultimately ask: as we shuttle between linguistic and visual modes of meaning-making, what is the purpose of reinventing forms if not to reinvent ways of living?\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFeaturing artwork by \u003cem\u003eLaia Abril, Lucas Blalock, Adam Broomberg and Oliver Chanarin, Tony Cokes, Gustave Courbet, Sara Cwynar, Robert Frank, Nan Goldin, Francisco Goya, Theresa Hak Kyung Cha, Whitney Hubbs, Justine Kurland, Édouard Manet, Pietro Monaco, Nicholas Muellner, Ahndraya Parlato, Adrian Piper, Man Ray, Martha Rosler, \u003c\/em\u003eand\u003cem\u003e Wolfgang Tillmans\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eCatherine Taylor (born 1964) received a BA from the College Scholar Program at Cornell University, studied Classics at Somerville College at the University of Oxford, and earned a PhD in English from Duke University. The author of \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou, Me, and the Violence\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eApart\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eGiving Birth\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e, she is also a founding editor of Essay Press, and associate professor in writing and co-director of the Image Text MFA at Ithaca College and of ITI Press.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":50555645165625,"sku":"210000002895","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/annotation-2024-03-20-144647.jpg?v=1790279625"},{"product_id":"about-face-stonewall-revolt-and-new-queer-art","title":"About Face: Stonewall, Revolt, and New Queer Art","description":"\u003cp\u003e\u003cstrong\u003eA unique survey of 350 artworks by a global and diverse array of LGBTQ+ artists – many underrecognized and overlooked – from the last 50 years\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThough the Stonewall Riots might now be shorthand for the start of the gay rights movement, so much of art and culture has been 'queer' since the beginning of time. In \u003cem\u003eAbout Face\u003c\/em\u003e, art historian and curator Jonathan D. Katz explores this concept head-on, curating a tapestry of works that connect historical threads and reveal how gender and sexual identity have been interwoven by artists contemporaneous to and since Stonewall. With more than 350 artworks by over 40 LGBTQ+ artists across nationalities and generations, and original texts by artists and scholars, \u003cem\u003eAbout Face\u003c\/em\u003e is as stunning as it is important.\u003c\/p\u003e","brand":"Ingram Content Group - Mixed Vendors","offers":[{"title":"Default Title","offer_id":50555645755449,"sku":"210000002901","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/annotation-2024-03-25-165502.jpg?v=1790279629"},{"product_id":"alessandra-sanguinetti-over-time","title":"Alessandra Sanguinetti: Over Time","description":"\u003cp\u003eThis intimate, conversational reader transports us to the enchanted world of Alessandra Sanguinetti’s photographic series \u003cem\u003eThe Adventures of Guille and Belinda\u003c\/em\u003e, exploring the evolution of this celebrated work and the themes and questions it raises. Made in the countryside of Buenos Aires Province, Sanguinetti’s series follows the lives of two cousins as they come of age alongside the realities of rural life. From a young age, Guille and Belinda have been Sanguinetti’s collaborators, co-conspirators, and playmates, evoking the unique worlds suspended between dreams and reality that define childhood, adolescence, and eventually adulthood. Here, they reflect with Sanguinetti on the work’s making and their changing relationship to it over time in an extended conversation illustrated with previously unseen images from across the years. This discussion is complemented by a conversation between Sanguinetti and curators Clément Chéroux and Pierre Leyrat, unpacking the ways this work engages with and disrupts conversations around documentary photography, artistic collaboration, and the depiction of the lives of girls and women the world over.\u003c\/p\u003e\r\n\u003cp\u003eThis reader coincides with a solo exhibition of Alessandra Sanguinetti’s work at Fondation Henri Cartier-Bresson, Paris, opening 30 January 2024.\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":50555648180281,"sku":"210000002920","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/annotation-2024-03-25-170752.jpg?v=1790279641"},{"product_id":"terrance-hayes-watch-your-language","title":"Terrance Hayes: Watch Your Language","description":"\u003cdiv id=\"mobile-about-the-book\"\u003e\r\n\u003cdiv id=\"seemore-0\" class=\"slot product-about 9780143137733 isbn-related seemoreenable show opened\"\u003e\r\n\u003csection class=\"overview\"\u003e\r\n\u003cp\u003e\u003cstrong\u003e“Dazzling . . . a verbal and visual feast that defies genres.” —\u003cem\u003eThe Washington Post\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e“Hayes [is] one of the best and most important poets now writing.” —Craig Morgan Teicher, \u003cem\u003ePoetry\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eFrom the National Book Award–winning author of \u003cem\u003eLighthead\u003c\/em\u003e, Terrance Hayes, a fascinating collection of graphic reviews and illustrated prose addressing the last century of American poetry—to be published simultaneously with his latest poetry collection, \u003cem\u003eSo to Speak\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanonized, overlooked, and forgotten African American poets star in Terrance Hayes’s brilliant contemplations of personal, canonical, and allegorical literary development. Proceeding from Toni Morrison’s aim to expand the landscape of literary imagination in \u003cem\u003ePlaying in the Dark\u003c\/em\u003e (“I want to draw a map, so to speak, of a critical geography”), \u003cem\u003eWatch Your Language\u003c\/em\u003e charts a lyrical geography of reading and influence in poetry. Illustrated micro-essays, graphic book reviews, biographical prose poems, and nonfiction sketches make reading an imaginative and critical act of watching your language. Hayes has made a kind of poetic guidebook with more questions than answers. “If you don’t see suffering’s potential as art, will it remain suffering?” he asks in one of the lively mock poetry exam questions of this musing, mercurial collection. Hayes’s astonishing drawings and essays literally and figuratively map the acclaimed poet’s routes, roots, and wanderings through the landscape of contemporary poetry.\u003c\/p\u003e\r\n\u003c\/section\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Penguin Random House LLC","offers":[{"title":"Default Title","offer_id":50555649785913,"sku":"210000002936","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/annotation-2024-04-12-124758.jpg?v=1790279652"},{"product_id":"claude-cahun-photofile","title":"Claude Cahun (Photofile)","description":"\u003cp\u003eClaude Cahun (1894–1954), the chosen name of the artist born Lucy Schwob, was best known in her lifetime as a writer but built up a remarkable body of photographic work that only came to prominence after her death.\u003c\/p\u003e\r\n\u003cdiv data-role=\"bva-reveal\"\u003e\r\n\u003cp\u003ePolitically active and involved with a wide circle of artists and intellectuals, including the Surrealists, Cahun followed her own rules in both life and art. She is best known for her strikingly staged self-portraits, in which she used costumes, makeup and technical effects to tackle themes of identity and self-representation. Her love of symmetry, mirroring, repurposing and retouching was also reflected in her approach to other styles of photography, including portraiture, photomontage and still-life tableaux.\u003c\/p\u003e\r\n\u003cp\u003eWhether working alone or in collaboration with her life partner Marcel Moore (born Suzanne Malherbe), Claude Cahun was a pioneering figure in the aesthetics of modernity who never stopped crossing boundaries of gender and genre.\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"W.W. Norton \u0026 Company, Inc.","offers":[{"title":"Default Title","offer_id":50555650146361,"sku":"210000002941","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71xdiudzptl-sl1500.jpg?v=1790279655"},{"product_id":"maggie-nelson-like-love-essays-and-conversations","title":"Maggie Nelson: Like Love: Essays and Conversations","description":"\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003eLike Love\u003c\/span\u003e is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson’s brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson’s passion for dialogue and dissent. The range of subjects is wide―from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker―but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making.\u003cbr\u003e\u003cbr\u003eArranged chronologically, \u003cspan class=\"a-text-italic\"\u003eLike Love\u003c\/span\u003e shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as \u003cspan class=\"a-text-italic\"\u003eBluets\u003c\/span\u003e and \u003cspan class=\"a-text-italic\"\u003eThe Argonauts.\u003c\/span\u003e As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson’s own development, and a testament to the profound sustenance offered by art and artists.\u003c\/p\u003e","brand":"Ingram Content Group - Mixed Vendors","offers":[{"title":"Default Title","offer_id":50555651227705,"sku":"210000002953","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/41r7xv3dvnl-sy445-sx342.jpg?v=1790279663"},{"product_id":"aloud-voices-from-the-nuyorican-poets-cafe","title":"Aloud: Voices from the Nuyorican Poets Cafe","description":"\u003cp\u003eCompiled by poets who have been at the center of the Nuyorican Poets Cafe in New York City, \u003cem\u003eAloud \u003c\/em\u003eshowcases the work of the most innovative and accomplished word artists from around America.\u003c\/p\u003e\r\n\u003cp\u003e\"[This] is a fun, wild, and fascinating volume of poems from what Holman calls 'a home for the tradition that has no home but your ear' . . . \u003ci\u003eAloud\u003c\/i\u003e is significant in its openness, its verbal power, and the undeniable fact that its performers are changing things without giving a damn how many walls they tear down.\"\u003c\/p\u003e\r\n\u003cp\u003e–\u003ci\u003eThe Nation\u003c\/i\u003e\u003c\/p\u003e","brand":"Ingram Content Group - Mixed Vendors","offers":[{"title":"Default Title","offer_id":50555651489849,"sku":"210000002955","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71sjbhfq1ml-sl1500.jpg?v=1790279664"},{"product_id":"be-oakley-publishing-now-genderfails-working-class-guide-to-making-a-living-off-self-publishing","title":"Be Oakley: Publishing Now: GenderFail’s working class guide to making a living off self publishing","description":"\u003cp\u003e\u003cem\u003ePublishing Now: GenderFails Working Class Guide to Making a Living Off Small Publishing\u003c\/em\u003e is a 18,000 words\/35 Chapters book about my journey running GenderFail.\u003c\/p\u003e\r\n\u003cp\u003eWe aren’t taught anything about actually finding ways to make a living being an artist from art school. It’s bullshit especially when you think about the debt working class and low-income are getting into for the off chance of making their dreams a reality. I found a way to make a living off my publishing platform GenderFail and in this publication I share how I think that happened. This is the professional practices or guide I wish I had when I first started out.\u003c\/p\u003e\r\n\u003cp\u003eWith GenderFail I didn’t have any funding when I started and over the 7 years of the project I have found a way to make the work I want while also paying my bills. Publishing Now: GenderFails Working Class Guide to Making a Living Off Small Publishing is my attempt to have an honest account of advise, true stories, resources and other information that can help other low-income and working class people find ways of making a living as a artists. This book also acts as a crystallization of my interests and goals as an educator. The title in part, Publishing Now, Is taken from a class that I taught for 4 semester at SMFA at Tufts. In this I wanted to give an honest survey and account from the perspective of a working class artist and publisher. This book in many ways is the core of what that class intended to share.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003ePublishing Now: GenderFails Working Class Guide to Making a Living Off Small Publishing\u003c\/em\u003e is imperfect and acts as just one account of one artist. My hope is this publication will help inspire and motivate other working artists to share this journey to help low-income and working class people find ways to make money in the arts. -Publisher\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":50555658338361,"sku":"210000003030","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/screenshot-2024-05-24-at-125053-pm.png?v=1790279713"},{"product_id":"manifesto-profit-for-survival","title":"Manifesto, Profit-for-Survival","description":"\u003ch3\u003eManifesto, Profit for Survival: Discourses on Anti-Capitalist Publishing Practices is the 3rd edition of this ongoing publication series exploring anti-capitalism through a publishers perspective.\u003cbr\u003e\u003cbr\u003eThis new edition features a new essay \u003ci\u003eNotes on Anti-Capitalist Solidarity: An Essay \u003c\/i\u003e\u003ci\u003efor the Working Class Artist \u003c\/i\u003eexpanding on our Manifesto, Profit for Survival essay. This new essay explores chapters including \u003ci\u003eClass Solidarity in the Art World, Against \u003c\/i\u003e\u003ci\u003eGrowth Towards Sustainability, Breaking with Capitalism: Identity Politics and Working \u003c\/i\u003e\u003ci\u003eClass Solidarity, Anti-Capitalist Pedagogy? Pedagogy for Low Wage Workers? \u003c\/i\u003eand\u003ci\u003e Anti Capitalist Art Practice\u003c\/i\u003e? From the essay:\u003cbr\u003e\u003cbr\u003e\"Many working class and low income designers, artists, writers etc. are underpaid, overworked and constantly stuck in the loop of working one underpaid job after another. In this we must find strength, solidarity and pride in our positions as lower income people. Often, or at least in my experience, the art world was presented to me at a young age as glamorous, privileged and in close proximity with the upper class4. In moving towards an anti-capitalist art world it’s paramount for us to identify and find agency in our positions as low and middle class people. Those of us who are employed through our creative talents need to find solidarity with non-creative workers including factory workers, gig employees and other working class people. We must not think of our profession as any more important than other workers fighting for more equitable working conditions. We must replace wealth for ethics, glamor for pride, privileged access for transparency, as the aspirational goals of artists.”\u003c\/h3\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":50555658371129,"sku":"210000003031","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/manifesto-profit-for-survival.jpg?v=1790279714"},{"product_id":"genderfail-a-decade-of-queer-and-trans-liberatory-writings","title":"GenderFail, A Decade of Queer and Trans Liberatory Writings","description":"\u003cp\u003eGenderFail, A Decade of Queer and Trans Liberatory Writings is an anthology publication featuring 20 essays spanning a decade of work by GenderFail Press. These 324 pages encompass the best of our ongoing work. If you arenew to GenderFail this is the perfect publication to start to explore our work.\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":50555658633273,"sku":"210000003032","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/wi53srlq7kuripibn2fivaa7jpeg.webp?v=1790279714"},{"product_id":"art-monster-on-the-impossibility-of-new-york","title":"Art Monster: On the Impossibility of New York","description":"\u003cp\u003eWhy do people choose the life of an artist, and what happens when they find themselves barely scraping by? Why does New York City, even in an era of hypergentrification, still beckon to aspiring artists as a place to make art and remake yourself?\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"a-text-italic\"\u003eArt Monster\u003c\/span\u003e takes readers to the margins of the professional art world, populated by unseen artists who make a living working behind the scenes in galleries and museums while making their own art to little acclaim. Writing in a style that is by turns direct and poetic, personal and lyrical, Marin Kosut reflects on the experience of dedicating your life to art and how the art world can crush you. She examines the push toward professionalization, the devaluing of artistic labor, and the devastating effects of gentrification on cultural life. Her nonlinear essays are linked by central themes—community, nostalgia, precarity, alienation, estrangement—that punctuate working artists’ lives. The book draws from ten years of fieldwork among artists and Kosut’s own experiences curating and cofounding artist-run spaces in Bushwick, Bedford-Stuyvesant, and Chinatown. At once ethnography, memoir, tirade, and love letter, \u003cspan class=\"a-text-italic\"\u003eArt Monster\u003c\/span\u003e is a street-level meditation on the predicament of artists in the late capitalist metropolis.\u003c\/p\u003e","brand":"Columbia University Press","offers":[{"title":"Default Title","offer_id":50555667775545,"sku":"210000003113","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61eyreatbvl-sy466.jpg?v=1790279767"},{"product_id":"hello-we-were-talking-about-hudson","title":"Hello We Were Talking about Hudson","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eCommemorating the unconventional gallerist, featuring interviews with collaborators and friends such as Dennis Cooper, Charles Ray, Kay Rosen, Tony Tasset and David Sedaris\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eNeither a comprehensive oral history nor a biography, this reader is an intimate collection of anecdotes, reflections and musings that cohere to form a narrative portrait of a complex man and the vehicle through which he focused his artistic energy and convictions. The man in question is the visionary “artists’ dealer” behind the revered Feature Inc. gallery―the mononymous Hudson (1950–2014). The gallery, which opened and ran from 1984 to 1988 in Chicago, and then in New York City from 1988 to 2014, showcased the early work of many now-prominent artists, such as Raymond Pettibon, Kay Rosen, Vincent Fecteau, Takashi Murakami, Nancy Shaver and Jeff Koons.\u003cbr\u003ePresented here are over 30 interviews with Hudson’s artists, collectors, colleagues and friends. The book also includes additional selected written remembrances and dozens of images, many shared for the first time. Published on the 10th anniversary of Hudson’s death, this book is a record of Hudson’s resounding cultural impact.\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555668856889,"sku":"210000003121","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/41pgvy548l-sy445-sx342.jpg?v=1790279772"},{"product_id":"danny-lyon-memories-of-the-southern-civil-rights-movement","title":"Danny Lyon: Memories of the Southern Civil Rights Movement","description":"\u003ch2 class=\"redstrong\"\u003e“This young white New Yorker came South with a camera and a keen eye for history. And he used these simple, elegant gifts to capture the story of one of the most inspiring periods in America’s twentieth century.” –John Lewis, US Congressman\u003c\/h2\u003e\r\n\u003cp\u003eIn the summer of 1962, photographer Danny Lyon packed a Nikon Reflex and an old Leica in an army bag and hitchhiked south. Within a week he was in jail in Albany, Georgia, looking through the bars at another prisoner: Martin Luther King Jr. Lyon soon became the first staff photographer for the Atlanta-based Student Nonviolent Coordinating Committee (SNCC), which already had a reputation as one of the most committed and confrontational groups fighting for civil rights. Lyon traveled with the SNCC from Mississippi to Georgia to Tennessee to Alabama, as well as to the 1963 March on Washington. More than just his photographs, \u003ci\u003eMemories of the Southern Civil Rights Movement\u003c\/i\u003e, updated by Twin Palms in 2010, contains Lyon’s archive of press releases, speeches, flyers, personal recollections and even facsimiles of the typed notes he took while working with the SNCC. Introduced by Julian Bond, former member of the Georgia State Senate, and with an essay by the late congressman John Lewis, this visual memoir relates the firsthand experience of a witness to one of the greatest activist movements in American history.\u003cbr\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eDanny Lyon\u003c\/b\u003e (born 1942) was born in New York and studied history and philosophy at the University of Chicago. While a student there he met one of the “Big Six” civil rights leaders, John Lewis. He served as chief photographer for the Student Nonviolent Coordinating Committee (SNCC), and documented nearly every major event of the Civil Rights Movement. In Lyon’s later career, he produced several acclaimed photographic series on motorcyclists and prisoners in the Texas Department of Corrections. He has received two Guggenheim fellowships and was inducted into the International Photography Hall of Fame and Museum in 2022.\u003cbr\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eJohn Lewis\u003c\/b\u003e (1940–2020) became involved in the Civil Rights movement when he was still a teenager. He was introduced to both Rosa Parks and Martin Luther King Jr., and participated in the 1960 Nashville sit-ins as well as the 1961 Freedom Rides. As chairman of the Student Nonviolent Coordinating Committee (SNCC) from 1963 to 1966, he was one of the “Big Six” civil rights leaders who coordinated the March on Washington. He represented Georgia’s 5th District in the U.S. House of Representatives from 1987 until his death in 2020.\u003cbr\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eJulian Bond\u003c\/b\u003e (1940-2015) co-founded the Student Nonviolent Coordinating Committee (SNCC) in 1960. Bolstered by the passage of the 1964 Civil Rights Act and the 1965 Voting Rights Act, Bond ran for a seat in the Georgia House of Representatives. He served until 1975, when he was then elected to the Georgia State Senate. From 1998 to 2010 he was the Chairman of the National Association for the Advancement of Colored People (NAACP).\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555681407033,"sku":"210000003286","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/danny-lyon-memories-of-the-southern-civil-rights-m.jpg?v=1790279849"},{"product_id":"imagining-black-diasporas-21st-century-art-and-poetics","title":"Imagining Black Diasporas: 21st-Century Art and Poetics","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eExamining aesthetic connections between the works of more than 50 Black artists from throughout the global diaspora\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThis book was born out of frustration with art histories that emphasize Black artists’ resilience over the aesthetic impact of their work. The experiences of oppression Black people endure are inconceivable, yet this focus on resilience often overwhelms critical attention to Black artists’ ideas, innovations or use of materials. \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eImagining Black Diasporas\u003c\/span\u003e\u003c\/em\u003e defines “diaspora’’ more broadly, understanding it as a dynamic term that evolves with Black experience. Through four themes, the book illuminates aesthetic connections among established and emerging US–based artists in dialogue with artists working in Africa, the Caribbean, South America and Europe.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eArtists include:\u003c\/span\u003e\u003c\/strong\u003e Mark Bradford, Lorna Simpson, Calida Rawles, El Anatsui, Josué Azor, Isaac Julien, Frida Orupabo, Theaster Gates, Yinka Shonibare, Wangechi Mutu.\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555681538105,"sku":"210000003287","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/61mloej4q7l-sl1000.jpg?v=1790279850"},{"product_id":"betye-saar-heart-of-a-wanderer","title":"Betye Saar: Heart of a Wanderer","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eA richly illustrated look at how travel influenced the work of renowned contemporary artist Betye Saar\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBetye Saar (b. 1926) is an artist whose assemblages tell visual stories and convey powerful political messages. A leading figure of the Black Arts Movement in the 1970s, she works with found objects—many of which she gathers on her extensive travels—to explore themes like symbolic mysticism, feminism, racism, and Eurocentric chauvinism. \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eBetye Saar: Heart of a Wanderer\u003c\/span\u003e\u003c\/em\u003e sheds new light on Saar’s unique creative process, her trips around the world, and the diverse ways in which her artworks engage with global histories of travel and forced migration. It presents how the artist’s work conjures the transporting experience of a voyage to a faraway place.\u003cbr\u003e\u003cbr\u003eThis beautifully illustrated book draws on original, in-depth interviews with Saar and the companions who accompanied the artist in her travels across four continents over several decades. Essays by leading scholars contextualize Saar’s journeys within her broader life and career, as well as how her practice fits into broader traditions—such as scrapbooking—in African American visual culture. In addition to providing this context, this book explores how Saar’s assemblage practice both echoes and provides a critical counterpoint to the collecting practices of Gilded Age American art collectors like Isabella Stewart Gardner.\u003cbr\u003e\u003cbr\u003eFeaturing a wealth of previously unpublished material—including almost thirty travel sketchbooks and two dozen finished assemblages—\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eBetye Saar: Heart of a Wanderer\u003c\/span\u003e\u003c\/em\u003e provides a fresh look at a groundbreaking American artist while offering a timely social history of the impact of travel on the African American experience.\u003c\/p\u003e","brand":"IPS\/DAP","offers":[{"title":"Default Title","offer_id":50555681603641,"sku":"210000003288","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/71j0q-hp96l-sl1500.jpg?v=1790279850"},{"product_id":"sally-stein-close-ups-from-afar","title":"Sally Stein: Close-ups from Afar","description":"\u003cp\u003eSally Stein has long investigated the role of photography in relation to broader questions of culture and society. This first collection of her selected essays, Close-ups from Afar, brings together essential writings from over five decades, cumulatively demonstrating Stein's distinctive critical approach to the history and proliferation of photography and its role within mass media and contemporary culture. In this richly illustrated volume, Stein turns her astute eye to diverse topics including the rise of colour photography, the place of California in the history of the medium's development, and women and photography between feminism's 'waves', as well as insightful considerations of a host of photographers from Jacob Riis to Helmut Newton, Ansel Adams to Dorothea Lange, Susan Meiselas to Dawoud Bey. She has consistently sought to challenge readers to think afresh about the social uses of photography and their broader contexts and far-reaching effects.\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":50555682324537,"sku":"210000003295","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/1131002jpg.webp?v=1790279855"},{"product_id":"mary-ellen-mark-photofile","title":"Mary Ellen Mark (Photofile)","description":"\u003cdiv class=\"bold\"\u003e\u003cstrong\u003eThe perfect introduction to American photographer Mary Ellen Mark, best known for her photojournalism, documentary photography, portraiture, and advertising photography.\u003c\/strong\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"toggled description-text\"\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe work of Mary Ellen Mark (1940–2015) bears witness to her fascination with the human condition and her gift for connecting intimately with her subjects. Skilled at blending into unusual or insular environments, she traveled all over the world and forged a body of work that combined photo- journalism with portraiture. From Indian circus performers to American teenagers living on the streets, from Hollywood film sets to inmates in a locked psychiatric facility, her photographs are striking for their humanity and empathy.\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"W.W. Norton \u0026 Company, Inc.","offers":[{"title":"Default Title","offer_id":50555684651065,"sku":"210000003324","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/9780500411254-300.jpg?v=1790279870"},{"product_id":"vivian-maier-photofile","title":"Vivian Maier (Photofile)","description":"\u003cp\u003eFollowing the discovery of her archive in a thrift auction house in 2007, Vivian Maier’s posthumous trajectory from relative obscurity to one of the great American photographers of the twentieth century is the story of a singular talent. From the mid-1950s throughout her adult life, she worked as a nanny in New York City and Chicago. During this time, she created a huge body of photographs and films recording everyday street life, often including self-portraits and moments of fleeting reflection within the cityscape, and earning her comparisons to Helen Levitt, Robert Frank, and Diane Arbus. This new addition to the \u003cem\u003ePhotofile\u003c\/em\u003e series is a succinct and essential overview of Maier’s work, and a fascinating window into American life.\u003c\/p\u003e","brand":"W.W. Norton \u0026 Company, Inc.","offers":[{"title":"Default Title","offer_id":50555684814905,"sku":"210000003332","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/9780500411285-300.jpg?v=1790279872"},{"product_id":"gay-pompeii-7-9-ad-by-legacy-russell","title":"Gay Pompeii 7.9. AD by Legacy Russell","description":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eWith her debut chapbook, award-winning author and curator Legacy Russell returns to poetry with her \u003ci\u003eGAY POMPEII\u003c\/i\u003e, a collection of lyric poems that begin at the end of the world. Rising out of Russell's 2022-2023 \u003ci\u003eDigital Fellowship\u003c\/i\u003e for \u003ci\u003ePompeii Commitment.Archaeological Matters\u003c\/i\u003e, the first long-term, contemporary art programme established by the Archaeological Park of Pompeii, the author and curator explores ash, filth, dirt, and decay, intersectional with the fetishistic mythos of Pompeii and its destruction in 79 CE by the eruption of Mount Vesuvius. Pompeii today is a UNESCO World Heritage Site that receives over two million visitors per year to view its archeological excavation. Russell puts the mass voyeurism, sensation, extraction, and loss of Pompeii—a devastating moment frozen in time—to work. In \u003ci\u003eGAY POMPEII\u003c\/i\u003e, the site becomes a device with which Russell unspools birth, death, genocide, visual culture, and space-time. The title of this compilation underscores the essence and demand of capitalism: to be carefree in the face of looming extinction.  Russell's\u003ci\u003e GAY POMPEII \u003c\/i\u003eis a selfie taken at the edge of catastrophe and a polyphonic elegy.\u003c\/span\u003e\u003c\/h3\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":50555734622265,"sku":"210000003896","price":20.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/cover-4.jpg?v=1790280202"},{"product_id":"queer-trans-bipoc-palestinian-protest-inspired-open-source-type-anthology-genderfail-anthology-of-queer-typography-vol-3","title":"Queer + Trans BIPOC + Palestinian Protest-Inspired Open- Source Type Anthology: GenderFail Anthology of Queer Typography Vol.3","description":"\u003cp\u003eQueer + Trans BIPOC + Palestinian Protest-Inspired Open-Source Type Anthology: GenderFail Anthology of Queer Typography Vol . 3 is the 3rd in an ongoing series of publications, workshops, and programs exploring queer and trans exploration and experiments in typography. The anthology features the 11 GenderFail protest-inspired open-source fonts that are sourced from powerful moments in the history of dissent in the United States. At its heart, this anthology is about the 38 open-source graphics of an unknown number of examples that exist. Many publications on typography display fonts in their cleanest, idealized, theoretical form, but often fail to show the impact of the font in the lived world. The fonts are begging to be used, shared, and to make as significant an effect as possible. Seeing these typesets used by fellow artists and activists to make their work, communicate their ideas, and express themselves is one of the greatest honors as an artist interested in political activism.\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":50555734917177,"sku":"210000003898","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0782\/0872\/9145\/files\/cover1_27322f9b-1b27-4d43-88e5-f12d0ae5ea92.jpg?v=1790280203"}],"url":"https:\/\/shop.icp.org\/collections\/bio-critical-essays.oembed","provider":"International Center of Photography","version":"1.0","type":"link"}